Born in Biysk Altai Territory, the son of a Moscow engineer who was on a business trip in Altai and soon returned with his family to Moscow. Since 1944, a member of the literary studio of the poet and artist Yevgeny Kropivnitsky at one of the Moscow houses of pioneers.
Idiots are generally good guys
Yes, just walking among them is creepy
Sapgir Genrikh Veniaminovich
Since the late 50s, a close circle of aesthetically close poets and artists formed around Kropivnitsky and his student, the artist Oscar Rabin, who later received the name of the “Lianozovo school” (Rabin lived not far from the Lianozovo station near Moscow).
AT Soviet years Sapgir published a lot as a children's writer (he wrote the scripts for the classic cartoons "Losharik", "The Train from Romashkov", the lyrics of the song "Green Carriage" (translated from Yiddish, poems by Driz, Ovsei Ovseevich), etc.).
In 1979, he participated in the Metropol almanac. The first publication of Sapgir's "adult" poems abroad - in 1968, in the USSR - in 1989. He also acted as a translator (primarily of the outstanding Jewish poet Ovsey Driz, German concrete poetry and the American poet Jim Cates).
Compiled the poetic section of the anthology "Samizdat of the Century" (1998), on the basis of which the Internet project "Unofficial Poetry" was created.
Pushkin Prize Laureate Russian Federation, awards from the magazines "Znamya" (1993) and "Sagittarius" (1995, 1996), the award "For Special Merit" of the Turgenev Festival of Short Prose (1998). During the years of perestroika, he became a member of the Writers' Union of Moscow (since 1988), although he had a negative attitude towards the idea of the Writers' Union.
Member of PEN since 1995; before his death, he joined the DOOS group (in 1999). He died of a heart attack in a Moscow trolley bus on the way to the presentation of the anthology Poetry of Silence, where he was supposed to speak.
Sapgir belonged to a rare type of writers of a proteic warehouse, throughout creative way changing and looking for new forms of expression. In his early (at the turn of the 1950s and 60s) texts, he more often leaned towards social satire, which often took, however, elegant playful forms, in contrast, for example, to the gloomy laconicism of Igor Kholin, Sapgir's closest associate among the "Lianozites".
In the future, in Sapgir's poetry one can also find landscape lyrics and civil poetry. He created several cycles of sonnets and at the same time developed new, experimental forms that continued the tradition of Russian futurists and German concretists - for example, "Messages in an unknown language." Critics spoke of him as a classic of the modern Russian avant-garde.
Filmography
- Screenwriter
* 1964 - "The Frog is looking for dad" (cartoon) - scriptwriter together with G. Tsyferov
* 1965 - "The Bear on the Road" (cartoon) - scriptwriter together with R. Kachanov
* 1966 - "Main Star" (cartoon) - scriptwriter together with G. Tsyferov
* 1966 - "My Green Crocodile" (cartoon) - scriptwriter together with G. Tsyferov
* 1967 - "How to become big" (cartoon) - scriptwriter together with G. Tsyferov
* 1967 - "The Legend of Grieg" (cartoon) - scriptwriter together with G. Tsyferov
* 1967 - "The Train from Romashkov" (cartoon) - scriptwriter together with G. Tsyferov
* 1967 - "Honest Crocodile" (cartoon) - scriptwriter together with G. Tsyferov
* 1968 - “Happiness is not in a hat” (cartoon) - scriptwriter together with G. Tsyferov
* 1968 - "Nothing is forgotten" (Man with closed eyes) (animation) - scriptwriter
* 1968 - "Scarecrow" (cartoon) - scriptwriter together with G. Tsyferov
* 1969 - "Sunny grain" (cartoon) - scriptwriter together with G. Tsyferov
* 1970 - " sweet fairy tale"(cartoon) - scriptwriter together with G. Tsyferov
* 1970 - “I will draw the sun” (cartoon) - scriptwriter together with G. Tsyferov
* 1971 - "Donkey Plush" (cartoon) - scriptwriter together with G. Tsyferov
* 1971 - "The Amazing Kitten" (cartoon) - scriptwriter together with G. Tsyferov
* 1972 - "In the thirtieth century" (cartoon) - scriptwriter
* 1972 - "Wind" (cartoon) - scriptwriter
* 1972 - "Most respected" (cartoon) - scriptwriter together with G. Tsyferov
* 1973 - "Magic Lanterns" (cartoon) - scriptwriter together with G. Tsyferov
* 1973 - "Fables in the Faces" (in the film Merry Carousel No. 5) (animation) - scriptwriter
* 1973 - "First Meetings" (cartoon) - scriptwriter together with G. Tsyferov
* 1973 - "Cuckoo Clock" (cartoon) - the author of the text
* 1974 - “How the goat held the earth” (cartoon) - scriptwriter together with G. Tsyferov
* 1974 - "Morning Music" (cartoon) - scriptwriter together with G. Ball
* 1975 - “And Mom will forgive me” (cartoon) - scriptwriter
* 1976 - "The Tale of Greed" (cartoon) - scriptwriter with. Prokofieva
* 1976 - "Churidilo" (cartoon) - scriptwriter
* 1977 - “Do not like - do not listen” (cartoon) - scriptwriter together with L. Nosyrev
* 1977 - "Silver Hoof" (cartoon) - scriptwriter
* 1979 - "Unfinished and redistributed" (cartoon) - scriptwriter together with G. Sokolsky
* 1979 - "The Princess and the Cannibal" (in the film Merry Carousel No. 9) (animation) - scriptwriter together with E. Nazarov
* 1981 - "Moroz Ivanovich" (cartoon) - scriptwriter
* 1981 - “One - peas, two - peas” (cartoon) - author of the text
* 1983 - “The Tale of a Very tall man"(cartoon) - scriptwriter together with O. Driz
* 1984 - "Hunter to fairy tales" (cartoon) - scriptwriter
* 1984 - "About Buku" (cartoon) - scriptwriter
* 1984 - "About Foma and Yerema" (cartoon) - scriptwriter
* 1984 - "Sineglazka" (cartoon) - scriptwriter
* 1986 - "Doremi" (cartoon) - scriptwriter
* 1986 - "Smile of Leonardo da Vinci" (cartoon) - scriptwriter
* 1987 - " Eternal ice"(cartoon) - scriptwriter together with L. Nosyrev
* 1987 - “How the donkey fell ill with sadness” (cartoon) - scriptwriter
* 1987 - "Ice Cream Songs" (cartoon) - scriptwriter
* 1991 - "Little Witch" (cartoon) - scriptwriter
Lyricist
* 1970 - "The Adventures of the Yellow Suitcase"
* 1973 - “Miracle” (in the movie / a Merry Carousel No. 5) (animated)
* 1975 - "Visiting the Gnomes" (cartoon)
* 1976 - "Blue baby elephant" (cartoon)
* 1978 - "Santa Claus and the Gray Wolf" (cartoon)
* 1979 - "Cinderella" (cartoon)
* 1979 - "The Princess and the Cannibal" (in the film Merry Carousel No. 9) (animated)
* 1980 - "Flashlight Ball" (cartoon)
* 1981 - "One - peas, two - peas" (cartoon)
* 1989 - "Laughter and grief at the White Sea" (cartoon)
Editions
* Henry Sapgir. Poems and poems. Comp. and intro. article by M. D. Shraer and D. P. Shraer-Petrov. New Poet's Library: Small Series. SPb., 2004.
* Henry Sapgir. Folder. - M.: Time, 2008.
Genrikh Veniaminovich Sapgir - photo
Genrikh Veniaminovich Sapgir(11/20/1928) - Russian poet. The boy began to read very early and a lot, not always understanding what he was reading. Young Heinrich also tried to write as a child, in the first grades of school. He studied at the literary studio of the poet Arseny Alving.
Sapgir was one of those who returned poetry to poetry for kids. In the 1960s, there was a publishing house in Moscow that published books for the little ones. It was called "Baby". In this publishing house lived Chief Editor by the name of Uncle Yura, and if in an adult way - Yuri Pavlovich Timofeev. It was he who once asked the poet Heinrich Sapgir: “And write poetry for us!”
- About what? Saphir asked.
- About anything. Well, for example, about the fact that April is in the yard.
- And if it's April, can I write about cats?
“Good,” Uncle Yura said.
And these verses came out:
Meow! Finally warm. Spring.
In April, cats are not up to sleep.
I do not understand how in April
Children can sleep in bed.
Would walk on their rooftops
Under a big and red month.
And after that, children's poems fell from Sapgir, like apples from an apple tree, if you shake it. The heroes of the poet's verse tales - Losharik, the Ogre and the Princess, the daredevils from the country of Laughing, the train from Romashkov gained wide popularity. Fruitful was the work of Sapgir with the wonderful storyteller G. Tsyferov on the scripts for the cartoons "Losharik", the Train from Romashkov, "My Green Crocodile", "The Frog is looking for dad."
Heinrich Sapgir wrote children's poems in such a way that it would be interesting for himself, that adults would like it, that children would be delighted. This proves that the poems he wrote work 365 days a year. Every day. And even in the evening, and even at night ...
Books:
"Wonder Forests"
"Clock"
"Poems"
"Painted Sun"
"My friend is an umbrella"
"Mysteries from the Garden"
"Circus"
“How the donkey fell ill with sadness and other tales”
From the book of fate. Born November 20, 1928 in Biysk, Altai Territory, the son of a Moscow engineer who was in Altai on a business trip and soon returned to Moscow with his family.
Since 1944 - a member of the literary studio of the poet and artist Yevgeny Kropivnitsky at one of the Moscow houses of pioneers. Since the late 50s, a close circle of aesthetically close poets and artists formed around Kropivnitsky and his student, the artist Oscar Rabin, who later received the name of the “Lianozovo school” (Rabin lived not far from the Lianozovo station near Moscow).
In the Soviet years, Genrikh Veniaminovich worked a lot for children: he wrote the scripts for the classic cartoons “Losharik”, “The Train from Romashkov”, “About Foma and Yerema”, “Sineglazka”, “How the donkey fell ill with sadness” and many others; what is called, the song on his words is heard - “The Green Carriage” (translated from Yiddish, poems by Ovsey Driz), as well as songs from the cartoons “The Adventures of the Yellow Suitcase”, “Visiting the Dwarves”, “Blue Elephant”, “Santa Claus and the Gray Wolf", "Cinderella", "The Princess and the Ogre" and a number of others.
In 1979, Genrikh Sapgir participated in the Metropol almanac. The first publications of "adult" poems by Sapgir: abroad - in 1968, in the USSR - in 1989. He also acted as a translator (primarily of the outstanding Jewish poet Ovsei Driz, German concrete poetry and the American poet Jim Cates).
Compiled the poetic section of the anthology "Samizdat of the Century" (1998), on the basis of which the Internet project "Unofficial Poetry" was created.
Laureate of the Pushkin Prize of the Russian Federation, awards of the magazines "Znamya" (1993) and "Sagittarius" (1995, 1996), award "For Special Merits" of the Turgenev Festival of Short Prose (1998).
During the years of perestroika, he became a member of the Writers' Union of Moscow (since 1988), although he had a negative attitude towards the idea of the Writers' Union. Has been a member of PEN since 1995; before his death, he joined the DOOS group (in 1999).
He died on October 7, 1999 from a heart attack in a Moscow trolley bus on the way to the presentation of the anthology Poetry of Silence, where he was supposed to speak.
As literary scholars write, Genrikh Veniaminovich successfully combined humor and irony, parody and satire, everyday episodes of an anecdotal nature and phantasmagoria in such books as "Poems" (1987), "Moscow Myths" (1989), "Pushkin's Drafts" (1992) , Favorites...
Fragments to the biography of the poet
Time is undoubtedly the best judge that determines the strength of a work of art or literature. I involuntarily thought about it again, opening a book of poems by Heinrich Sapgir, The Folder, published in Russia more than a year ago and which reached me quite recently. His poetry - for children and adults - the inter-age boundary between which was always a blurry space, was equally saturated with elements of play, light, kindness ... The Moscow avant-garde (late 50s - early 60s), one of leaders of which he turned out to be, was conditionally designated as "barrack poetry" ...
However, it is not the term that is important, but its essence: in the Word or groups of Words, Heinrich Sapgir looked for and found some new resources, the energy of his work led the reader into such zones of perception of the world, where, it would seem, known things, concepts and ideas changed, varied , were exposed in a new way, and attempts to determine this, indicate the literary coordinates and the origin of his work went into the abyss, where only on the surface were the names of Kropivnitsky or Kholin, and much deeper - Kharms, Khlebnikov ... Sapgir, however, always broke out of what -the schemes that critics and literary critics selected for him, somehow imperceptibly mixed all the cards, leaving his interpreters with a nose.
Reading his poetry is a pleasure. However, to determine what exactly, I, in all honesty, will not undertake to say. How, in fact, to determine - how can we like this or that cloud, tree, bird, apple? .. Especially - a flashed shadow, the sound of raindrops, the crunch of snow ...
Sapgir's poetry is woven from the constant play of characters and things, their shadows, the sensations they evoked, ideas about what they associated with. Not at all, not from someone, but from him. In Skladnya, a volume of more than 900 pages, compiled from collections of poems from 1958 to the late nineties, that is, in fact, to those that he wrote shortly before his death, all this is clearly visible, obviously, and if I do not I am quoting nothing now, then - deliberately, because to illustrate what in question, I would have to quote a lot. Considering that Sapgir's texts are not particularly difficult to find in our Internet time, that is, they remain potentially available to those who wish (books that came out from under the printing press are still a different matter!), I leave the possibility of searching to the personal discretion of each . However, for those who are familiar with the poetic work of this master a little, and for those who know him quite well, it will be necessary to make an exception. This concerns a poem, which for some reason he did not include in any of his known books and which, I strongly suspect, has remained unpublished to this day ...
sat in the baby
evil
it squeezed
plump tender fists
trampled
pink feet
(all in bandages)
mouth -
wider face:
give!
earth smeared with sky
thick pie -
Over the horizon
eat - do not want ...
but when they stayed
the last crumbs
the old man howled:
My God! God!
I was devoured
evil
Printed on a typewriter on a separate sheet with the words: “In memory of Lena”, it is kept by his daughter from her first marriage, a journalist of the International French Radio, Elena Genrikhovna Sapgir, who has been living in France for a long time (for me, by friendship, - Lena) - do not confuse c her namesake, collaborating with the newspaper "Russian Thought" ...
Having received the kind permission to publish Evil, I learned from Lena quite curious story this text. Her father, she said, sometimes showed special generosity - having heard from one of his acquaintances or friends a warm response to one or another of his poems, he could make a grand gesture: “Well, I dedicate it to you!”.
However, when she asked to dedicate the "Evil" she liked very much to her, her father unexpectedly showed restraint unusual for him, obvious unwillingness ... Why? He did not speak directly about this, but, as Elena suggests, perhaps the very idea of \u200b\u200b"giving evil" was hindered by a certain psychological, subconscious-mystical barrier. However, he still made this gift. No, not handing the page with "Evil" directly into the hands of his daughter, who visited him, but without saying anything, putting it in a magazine with her new publication, which she took with her when she flew from Moscow to Paris. The date next to the signature indicates that it was August 14, 1995.
During the fire that happened to Lena in January 2005, which, among many things, took away some of the things related to the memory of his father (his typewriter also died in the fire then), but - not dedicated, but donated! - "Evil" survived. Metaphor in this case, of course, without bitterness.
For the first time, Heinrich Sapgir was able to see France in the autumn of 1987. Meetings with relatives and friends were exceptionally warm and joyful. The artist William Bruy, who had a large workshop in Paris, organized the author's evening of the poet on November 27 there. The poems that Sapgir prepared for reading, the friends decided to release as a separate book. The idea was twofold: to capture a memorable event and, through the sale of the collection, to support the author financially. The notebook with a volume of 42 pages was called extremely modestly: "Poems 87". The typographical work was done in the publishing house "Syntax" by Maria Rozanova (Sinyavskaya). However, the gift was provided with a joke: instead of "Syntax" in the imprint of the collection, the non-existent publishing house "Afonya" was indicated. “Afoney” was really Elena Afanasyeva, a highly professional compositor known in the creative circles of Russian Parisians, who worked at that time for Rozanova. The drawing for the cover of "Poems 87" was made by a Russian Parisian, graphic artist Vitaly Statsinsky.
Speaking of Elena Afanasyeva, it should be noted that she took on "Poems 87" not just "for the company", but turned out to be the initiator of the action - she had known Genrikh Sapgir for a long time, she had been friends with him since 1968! ..
The publishing house "Afonya", meanwhile, was also indicated in another collection of the poet: "FACES OF SOCA", published in Paris in 1990. The publisher of this small book (which, of course, was typed by E. Afanasyeva, and designed by Alexei Khvostenko) is also the Association of Russian Artists and Publishers. There were no other books in Paris under the brand name of the Afonya Publishing House, except for these two, Sapgir's, there were. However, since de facto it turned out to be indicated (and according to the Russian proverb: written with a pen - do not cut down with an ax), I think that when compiling reference books on the history of the press of Russian emigration in France, it is not necessary to forget about him, even with his mythical status. Bibliophiles will at least have one less question.
What circulation did "Poems 87" and "FACES OF SOCA" have? According to Elena Afanasyeva, each is printed in an amount not exceeding 100 copies.
1. G. Sapgir, Skladen, ed. Time, M., 2008
First publication: Literary European, 148, Frankfurt am Main, 2010.
The material for the "45th Parallel" was provided by the author of the essay.
Illustrations:
portrait of the poet by Dmitry Savitsky;
Heinrich Sapgir at the dacha of the artist William Brui
during his first visit to France in 1987
(picture from the personal archive of E. Sapgir);
original poem "Evil";
covers of some books for children.
RAO Norilsk Nickel plans to issue documentary discount bonds before the end of the year, Dmitry Zelenin, First Deputy General Director of RAO Norilsk Nickel, told Interfax. According to him, one of Norilsk Nickel's financial advisors on the issue of bonds is the Russian Funds investment company.
Valery Radchenko, vice-president of the Russian Funds company, told Interfax that RAO Norilsk Nickel intends to issue documentary discount bonds for a period of 3 months in two tranches of 250 million rubles each. However, this is not the final decision on the size of the bond issue will be made by the UES Board of Directors, which will be held on November 12-15. V. Radchenko said that the yield on Norilsk Nickel's bonds would be determined a few days before the start of the placement, since during this time there could be significant shifts in the market. If the placement of Norilsk Nickel's securities took place at the present time, the yield would be approximately 37%, he noted. At present, the Russian Funds company is consulting with the Federal Securities Commission on the registration of the bond issue and with the MICEX on the compliance of securities with the exchange listing requirements in order to create the possibility for non-residents to purchase them from C accounts. Nickel" will be "one of the most interesting instruments on the market, as it most of all meets the requirements of investors and compares favorably with the securities of Gazprom and Lukoil in terms of its structure. In addition, the credit history of RAO Norilsk Nickel does not cause any disputes. " Interfax. PRECIOUS METALS RAO "NN" will be the first for another fifteen years RAO "Norilsk Nickel" intends to maintain its leadership in the world palladium market until 2015, based on prices for this metal and production volumes of the enterprise. Yury Kotlyar, First Deputy General Director of RAO UES, announced this at a conference on the market of precious metals and stones in Moscow on Tuesday. According to him, experts predict that the platinoids market will face a steady shortage of metal until 2010, which will allow Norilsk Nickel to receive a stable profit from sales. "RAO "Norilsk Nickel" receives about $1 billion a year from work with precious metals," Yu. Kotlyar emphasized. The management of the UES, Yu. Kotlyar noted, plans in the near future to partially transfer the processing of precious metal raw materials from Krastsvetmet JSC (Krasnoyarsk Territory) to Prioksky WCM JSC (Ryazan Region). Norilsk Nickel is also developing a program to create its own refining facility to produce platinum salts, which can be directly used in the production of catalysts. Alexey Drayenkov, General Director of JSC Prioksky WCM, said at the conference that the company had developed new technology obtaining satellites of platinoids, which is the cheapest of the existing ones. Also, the plant's specialists have developed a technology for the recovery of platinum and rhodium from salts, which makes it possible to shorten the process of obtaining finished products and significantly reduce costs. In addition, the First Deputy General Director of RAO UES said that Norilsk Nickel specialists have developed a program for providing trade credits in the form of platinoids for the production of automotive catalysts as part of the Moscow environmental program. RAO "Norilsk Nickel" sees the acquisition of controlling stakes in companies producing catalysts as one of the conditions for granting such loans. RAO "Norilsk Nickel" is the monopoly producer in Russia of basic metals used in the production of automotive catalysts. Interfax. THERE WILL BE A HOLIDAY There is something to spend On November 15, the Sports House of the city of Kayerkan turns 15 years old. The sports festival dedicated to this anniversary promises to be well-funded. The Administration of the city of Norilsk did its best. And as for the interestingness and colorfulness - that's how it will turn out. V. SHILOVSKY. TAXES Environmentally unclean At the beginning of the week, employees of the Federal Tax Police Department in the TAO detained the head of the Ekolog repair and construction company, which had been engaged in restoration work in the Dudinsk seaport for many years. Most likely, the company has long been in the field of view of the police - simultaneously with the arrest, the documentation of "Ecologist" was confiscated. A criminal case has been initiated. N. EFIMOV. NORTHERN ZAVOZ Battle on the Ice The epic with the tanker, which is supposed to deliver fuel to Khatanga, continues. First, a German oil tanker went there, which loaded fuel into the ice-class tanker St. Petersburg. Constant delays forced suppliers to look for a reinforced ice-class vessel that was found in Latvia. "Rundule" took on board the cargo, and on November 5, a convoy of ships consisting of two nuclear icebreakers("Arktika", "Taimyr") and two river ones ("Avraamiy Zavenyagin", "Captain Metsayk") finally left Dikson. However, somewhere on the track, due to ice compression, the Metsayk was damaged, and it seems that they decided to send it back to Dikson. According to operational data, on the night of November 9, the tanker and the Zavenyagin were in Spartak Bay, 30 km east of Cape Chelyuskin. N. EFIMOV. ROAD CHECKS Norilsk drivers "fail brakes" For several days of November (especially on weekends - holidays), drivers simply broke the rules frantically traffic- raced at a prohibited speed along the tracks, ignored signs, did not give way to pedestrians, and so on. During the week, 20 drivers were detained in a drunken state, 9 of them drove a car in this state in holidays. Violators behind the wheel made 23 accidents, in which 10 residents of the industrial district, including several children, were injured. So on st. B. Khmelnitsky, a second-grade student of school No. 5 was crossing the pedestrian crossing, and the driver of the VAZ-2104 car ran into the boy and immediately disappeared from the scene. The child received a head injury, and the driver of the Zhiguli was detained by the traffic police on the same day, he will face severe punishment. A sixth-grader of the same school was injured near house number 25 on Leninsky Prospekt. After being hit by a VAZ-2110 with a broken leg, she ended up in the hospital. But three adult pedestrians were hit by wheels through their own fault. In a drunken state, they decided to cross the road in front of nearby vehicles. At the crossroads of st. Begichev - Mikhailichenko was hit by a "Zhiguli" employee of the taxi company "TVEN", at the intersection of st. Talnakhskaya-Ordzhonikidze was hit by a Volga by a 40-year-old unemployed Norilsk resident, and on the street. Komsomolskaya under "GAZ-3129" a locksmith "Sibtekhmontazh" ran out. All were drunk. All received various injuries. Over the weekend, four car thefts were registered, three of them were found, and a red VAZ-2105, state number Zh 3992 KYa, stolen from house No. 69 on the street. Talnakhskaya, is still wanted. Eyewitnesses who know anything about the whereabouts of the missing car are asked to call: 02 or 22-42-91. P. PASHENKO. INCIDENTS We don't blow up, we burn like that During the holidays, everything was quiet and calm along the line of the Civil Defense and Emergency Situations Department, no special incidents were registered in the industrial district. But on the eve of the Day of Reconciliation, someone called the duty unit of the police and reported about the mining of PTU-58, which is on the street. Laureates, 87. Dozens of specialists from different services evacuated more than 600 people from the building and conducted an inspection. An hour later, the all-clear was given, no explosives were found in the school. The caller "miner" was "calculated" and detained. And yet, on November 6, early in the morning at 5 hours 36 minutes, in an apartment on the street. Talnakhskaya, 75, a 40-year-old unemployed woman burned alive. Druzhki-drinking companions could not save her. The cause of the tragedy is careless handling of fire. P. PASHENKO. CRIMINAL The investigation is over. Everything is just beginning The prosecutor's office of Norilsk approved the indictment against former leaders JSC "NK" of citizens Karagodov, Tsyrulnik and other persons accused of committing large-scale embezzlement of funds by abuse of official position. The case was submitted for consideration to the federal court of Norilsk. The accused, whose preventive measure was temporarily changed due to deteriorating health, were again placed in the cells of the Norilsk pre-trial detention center, where they will have to wait litigation. T. EGOROVA. THEATER Aide-de-camp (sha) of His Excellency Work on a new performance has begun at the Norilsk Polar Theatre. Director Semyon Sapgir arrived in our city, without attracting the attention of the general public, at the end of October. And for several days the troupe has been rehearsing "Corsican" (this is the name of the future premiere) on the stage. "Corsican" - the very announced "Adjutant of His Excellency". In the course of work on the performance, the play by Jiri Gubach received a new name, which, in my opinion, clearly indicates the main actor. "Corsican" (starring: L. Sorokin and N. Valenskaya, also occupied by: V. Reshetnikov, A. Glushkov, S. Rebriy, A. Ksenyuk, V. Kuzmenko and S. Lavrov) is declared as a "comedy in 2- x actions". And Semyon Sapgir, who staged diverse performances, is still better known as a comedy director. Well, we are waiting for the premiere. And before that, read an interview with S. Sapgir in Zapolyarka. T. KRYLEVSKAYA. HANGING OUT Youth for ever On Friday at 19:00, the Harmony CDC will become a meeting place for the school elite of the city of Kayerkan. The thing is that the regional union of youth and teenagers "Junior", together with the club "Island" and with the support of the Northern Party, is holding a dance show program "Youth for ever", dedicated to World Day youth. But do not assume that it will be a banal disco. Firstly, the organizing committee of the event (and these are all "islanders") prepared a lot of interesting competitions, and secondly, dance groups will visit the dance show: guys from Malko's school, the ensemble "Gems". And thirdly, everything should be crowned with the formulation of a formula for eternal youth, a little and a lot. And fourthly, entrance to the party is strictly by invitation, which were presented to the most active and creative representatives of the student youth of Kayerkan. T. KRYLEVSKAYA. EXHIBITIONS We will show ourselves again on November 11 and 12 at the Moscow All-Union Exhibition Center(former VDNKh) are the days of the Krasnoyarsk Territory. One of the pavilions presents an exposition that tells about the nature, history and industry of the region. Specialists of JSC "Norilsk Combine" and the Federation of Trade Unions of JSC "NK" are present at the exhibition as guests and participants. V. SHILOVSKY.
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Slides captions:
Genrikh Sapgir Prepared by Mezina Yu.N.
Biography: Genrikh Veniaminovich Sapgir (1928-1999) - Russian poet and prose writer. Born in Biysk, Altai Territory, in the family of a Moscow engineer who was in Altai on a business trip and soon returned with his family to Moscow. Since 1944, a member of the literary studio of the poet and artist Yevgeny Kropivnitsky at one of the Moscow houses of pioneers (Leningrad region).
Since the late 1950s, a close circle of aesthetically close poets and artists formed around Kropivnitsky and his student, the artist Oscar Rabin, who later received the name of the “Lianozovo school” (Rabin lived not far from the Lianozovo station near Moscow). In the Soviet years, Sapgir published a lot as children's writer(he owns the scripts of the classic cartoons "The Train from Romashkovo" and others, the lyrics of the song "Green Carriage" (translated from Yiddish, poems by Ovsey Driz) and others). In 1979, he participated in the uncensored almanac Metropol. The first publication of Sapgir's "adult" poems abroad - in 1968, in the USSR - only in 1989, during Perestroika. He also acted as a translator (first of all, of the outstanding Jewish poet Ovsei Driz, German concrete poetry by the American poet Jim Cates). Compiled the poetic section of the anthology "Samizdat of the Century" (1998), on the basis of which the Internet project "Unofficial Poetry" was created. During the years of perestroika, he became a member of the Writers' Union of Moscow (since 1988), although he had a negative attitude towards the idea of the Writers' Union. Has been a member of PEN since 1995; before his death, he joined the DOS group (in 1999).
Sapgir was one of those who returned poetry to poetry for kids. In the 1960s, there was a publishing house in Moscow that produced books for the little ones. It was called "Baby". This publishing house had an editor-in-chief - Yuri Pavlovich Timofeev. It was he who once asked the poet Heinrich Sapgir: “And write poetry for us!” - About what? Saphir asked. - About anything. Well, for example, about the fact that April is in the yard. - And if it's April, can I write about cats? - Good, - said Uncle Yura. And such poems turned out Meow! Finally warm. Spring. In April, cats are not up to sleep. I don't understand how the boys can sleep in bed in April. We would walk on the roofs Under the big and red moon
And after that, children's poems fell from Sapgir like apples from an apple tree. The heroes of the poet's verse tales - Losharik, the Ogre and the Princess, the daredevils from the country of Laughing, the train from Romashkov gained wide popularity. In 1960, in the publishing house " Child's world"The first collection of works by G. Sapgir for children, entitled" First Acquaintance ", was released. All these heroes are distinguished by their fundamental fiction: their existence is completely dependent on the play of the imagination.
Heinrich Sapgir wrote children's poems in such a way that it would be interesting for himself, that adults would like it, that children would be delighted. This proves that the poems he wrote work 365 days a year. Every day. And even in the evening, and even at night ...
Editions G. Sapgir. Star Map Tale. Ed. "Children's World", 1962, fig. A. Poret G. Sapgir, Physical Culture and Sports, 1970 G. Sapgir, Library of New Russian Poetry, 1993 G. Sapgir. Smeyantsy. - M: ID PIK, 1995. - 158 p. G.Sapgir. Summer with angels. -M., NLO, 2000. - 445s. G.Sapgir. Losharik. - M: Samovar, 2000. - 48s. G.Sapgir. Flying and sleeping. - M .: NLO, 1997. - 352 p. G.Sapgir. Collected works. tt.1,2. - Third wave, 1999. - 320 p. + 320s. G.Sapgir. A book of alphabets, counting rhymes, riddles and poems. - Planet of childhood, M., Astrel, 2002. - 232 p. G.Sapgir Forests-wonders. Spb., publishing house Rech 2013. - 32p. ISBN: 978-5-9268-1475-7 artist V. Pivovarov G. Sapgir Skladen. - M.: Time, 2008. - 926 p.
Lyricist 1970 - "The Adventures of the Yellow Suitcase" 1973 - "Miracle" (in the film Merry Carousel No. 5) (animated) 1975 - "Visiting the Gnomes" (cartoon) 1976 - "Blue Elephant" (cartoon) 1978 - "Father Frost and the Gray Wolf" (cartoon) 1979 - "Cinderella" (cartoon) 1979 - "The Princess and the Ogre" (in the film Merry Carousel No. 9) (animated) 1980 - "Flashlight Ball" (cartoon) 1981 - “One - peas, two - peas” (cartoon) 1989 - “Laughter and grief at the Bela Sea” (cartoon)
This book aims to awaken in the child an interest in physical education and sports games. Funny poems, funny tales, stories, riddles and counting rhymes give the book a playful, fascinating form. At the same time, it has serious methodological significance. Parents will learn from it how to properly build a child's day, how to gradually harden him and introduce him to sports that are accessible to his age. Sofya Prokofieva, Genrikh Sapgir: Rosy cheeks "Physical culture and sport", 1987
Sapgir's children's poems are light, well-rhymed works about animals, family, and school. Game situations in Sapgir's children's poems not only serve to entertain children, but also play a milestone role in their development. Thus, preschoolers learning writing skills block letters, write some letters in mirror image- This typical mistake, therefore, such a recording of the text is not a problem for children's perception. Sapgir's game with the reader can turn into a serious stylistic device in other texts oriented towards those for whom the game remains the basis of thinking for life and becomes no longer entertainment, but a way of learning.
Also, after reading the book, you can show the children a cartoon and analyze what they saw with the ideas of the children, which also contributes to the development of the creative imagination and thinking of children. G. Sapgir's books are recommended for reading to children of preschool and younger school age. They can be used when working on: Development of imagination and creative thinking children; The formation of a favorable microclimate in the group and the establishment of friendly relations between children. It should also be noted that G. Sapgir's poems can not only be read, but many of them are known to us as songs, so they can also be used to develop the musicality of children. SMOYANTS - Sapgir.
In his "New primer" Sapgir defends the traditional method of learning to read by syllables. He compiled columns of words, picking them up so that the letters and sounds in the words echo vertically, horizontally and diagonally, creating graphic and sound-sense correspondences, adding up to certain phrases. In essence, these columns are a game, initial exercises in poetry: SHARLS WE-LA MA-WE WE ME LU-NA MA-LA MA U-RA
The element of the poet Sapgir - secrets, speeches, metamorphoses of words. The synthesis of graphics and music of words generates the poetry of metaphors that lead the reader into the deep labyrinths of the Word. For example, the poem "The Game", like many other works from the "New Primer", is built on the game of letters, sounds, words and phenomena: The musician played the trumpet. The pipe looked like a snail. The snail looked like a house. The house looked like a cup overturned. The cup looked like a teapot. The teapot looked like Ivan Ivanovich. Ivan Ivanovich was a musician and played the trumpet. Many of his poems for children are original exercises for the development of speech: What kind of LI? What is MON? Sounds don't make sense. But they barely whisper: LI-MON - It will immediately become sour.
He is the author of more than twenty plays for children; many of them have been staged in theaters in our country and abroad. Together with S. Prokofieva, he wrote the plays "Puss in Boots" and "Vasilisa the Beautiful", which for a long time kept in the repertoire of tyuzes.
Thank you for your attention!
