Many of us love to sing and would like to learn how to do it professionally. Moreover, how many hidden talents are among us, with the strongest voice and sharpest hearing! But not everyone has the financial and time resources to apply to an individual teacher for staging vocals.

It is enough to allocate a certain time for this and start active activities.

If you dream of masterfully performing your favorite songs in karaoke clubs, or even conquering the big stage, follow our simple method, and perhaps a new, bright star will shine on the stage very soon!

Benefits of vocal training

Even if you don't fancy yourself as the vocalist of a popular band, these voice exercises will help you develop your speech. Competent and pure speech is extremely important even in everyday life. Who likes to listen to a man who speaks hardly intelligibly, as if he had just filled his mouth with thick porridge? And let them say that modesty is the main girlish ornament, it should not be manifested in a quiet meek voice.

To speak clearly and distinctly, as well as to have a beautiful sonorous voice, you need special articulation training. By the way, in your mouth is the most a large number of muscles throughout the body. And who said that you only need to develop triceps? The muscles of the mouth need to be hardened and strengthened no less!

Voice training is best done alone. At least if you're just getting started. Extra eyes and ears will embarrass you, which means that the effectiveness of the exercises will decrease, or even disappear completely. Get ready for the fact that the sounds coming from your mouth will be non-standard and quite funny. Even professional singers try to retire when preparing for concerts!

When training vocals and speech, ordinary acapella singing in splendid isolation is not enough. This requires a number of exercises that optimize articulatory abilities and awaken the vocal cords. If at first you don't succeed, don't worry.

Voice training is an extremely complex, time-consuming and lengthy process, especially if you do not have natural singing and announcer talent. However, among popular artists there are a lot of people whose voice has become the fruit of hard work on it, and not at all an innate gift.

What is the best way to train your voice? With the help of the piano, or to be more precise, the traditional solfeggio lessons taught in the basic program of any music school. If you don't have a musical instrument, don't worry. We live in an era advanced civilization, and today you can easily replace real keyboards with a special computer program, which imitates the sounds of a piano, a synthesizer, and even a grand piano.

Remember the main rule: your starting position should always be vertical. Sitting or lying down, you will definitely not acquire outstanding vocal abilities, and there is a physiological explanation for this. The fact is that with beautiful singing, diaphragmatic breathing is activated.

It is the diaphragm that is largely responsible for the lightness of the voice, its melodiousness and sonority. Only in a standing position can the organ be straightened, which means it is ready for active work. Over time, having acquired the necessary skills, you will be able to sing while sitting, but only when you consolidate the result achieved.

The benefits of the classes we have given are inexhaustible. First, you will acquire vocal data and announcer skills. Secondly, learn to control your voice and develop it. Third, build your confidence and develop your leadership skills.

And most importantly - the program is comprehensively useful for your health. Your lung capacity will increase, it will literally become easier for you to breathe, the invisible internal muscles of the torso will be strengthened, your posture will be ennobled and straightened. Ready to get into voice training for singing and improve your life? Then let's get started!

Easy workout for beginners

• Start with the main chant - "". Accompany each sound of your voice by pressing a key on the piano, try to imitate the note correctly. When finished, repeat the notes in the opposite direction, starting with the final "to". Gradually, you will be able to repeat this chant several times in both directions without stopping and respite;
• The next chant goes like this: do, re, mi, fa, sol, fa, mi, re, do". Note " salt" Finish with the sound "I" so that the transition is smooth. By the way, smooth transitions, called “legato” among professionals, should become your unspoken rule in correct vocal training;
• Sing the standard combination " do, re, mi, fa, salt, la, si, do with tightly closed lips. When the mouth is closed, there is a powerful strengthening of the ligaments and the formation of articulation;
• Now try to open your mouth wide and sing the combination with a lingering sound "aaa". We pronounce the sounds mentioned above. The mouth should be opened to the maximum width at which you are comfortable singing. This rule also applies to the singing of vowels in the finished composition. Follow the performance style of your favorite singers and see for yourself!;
• When you say stepped notes, help yourself with your hand. Just stretch it out in front of you and move it up or down depending on the pitch of the note you play.

There are chest, head and central resonators in your body. The first category includes the lungs, bronchi and trachea, the second - the oral cavity and nasopharynx, the third - the larynx. The overarching problem for beginners is the active use of only head resonators.

Moreover, the real need for their active unilateral use is practically not found in the compositions. Try to sing "deeply", using the sternum. Speak and sing at the center of the voice, not at its visible surface!

You can train a strong voice with loud speech and chanting. The tonality is increased by the above method. It is the tonality that is responsible for the richness and beauty of the vocalist's voice. But, unfortunately, it is only possible to bring the voice closer to its natural boundaries.

Alas, not everyone is given the opportunity to “take” notes of the fourth octave easily and naturally, like the legendary Freddie Mercury. Therefore, when you yourself fix your limit, it is worth working on its development, and not trying to jump above your head.

How how to train your voice for beautiful singing?

• Always lift and round the upper palate for spaciousness;
• Use an equal amount of air for both loud and quiet sounds;
• Give preference to those songs that match your natural range. In the primary voice training program, don't aim for opera;
• Songs for staging and voice training should be comfortable for you. Choose a different song if you frankly “fall short” on your favorite, hoarse and break down;
• Don't forget to reflect the emotional side of the composition on your face, don't stand like a stone sculpture;
• When performing a composition, never exhale air through your nose! Imagine how such a process would sound if your mouth had a microphone!;
• Pronounce both vowels and consonants clearly. You can emphasize individual words;
• While singing, try to drink more water.

Articles and news of the musical world.

There are various voice staging techniques different singing schools. But before turning to specific recommendations. Which will be useful not only for professionals, but also for amateurs, that is, for everyone who loves sing Let's think about what is singing, singing voice and how to learn to sing beautifully, how to put your voice at home.

Singing- one of the ways of communication and self-expression of a person, natural and simple, accessible to almost everyone.

How to learn to sing beautifully? And make your own voice?

If nature gave man good voice, he wants sing in the same way as someone who has the natural data of a runner wants to run.

Singing is related not only to the aesthetic and emotional spheres, but also to the work of the complex of muscles associated with breath, unconsciously organized by a creative emotional mood. So, the process of singing is driven by emotion. It follows from this that a professional must be able to create it and preserve it while singing.

In people, singing with voices “set by nature”, the connections of sound science are established unconsciously, but correctly and easily, and the breathing itself is organized correctly. In such cases, the only thing that the teacher has to do is to help the singer realize what is happening in his beautiful instrument while singing, so that he can save voice and restore natural bonds if some accident breaks them.

But in most cases, singing schools offer to perceive singing not as a way of expressing thoughts and feelings, but as a means for mentally directing each note. Taking care of the note singer loses the natural feel of the cantilena smooth melody) and the meaningfulness of the phrase and thinks not about why and for what sings, but about whether it got sound to the right note.

Passion for singing causes an unconscious desire for synthesis, that is, for the unification of the muscles involved in it, for the organization of a coordinating center.

Analyzing one's sensations while singing weakens and breaks the connections of sound science, because analysis is separation. And sometimes the singer's attention is focused on any one muscle group, for example, when executing commands: “In the mask! To the mask!”, “To the teeth!”, “To the dome”, etc., and this breaks the connection of sound science.

If deep internal connections are not broken by the singer, the voice sounds. But unfortunately, you can lose deep inner connections, and with them the feeling of a joyfully singing body.

The need for deep internal connections in most cases is recognized by the singers. It is them that creates and saves singing emotional attitude, but as long as it is not interfered with or interfered with not too actively. With a rude intervention, the connections are torn in some link, and the voice ceases to sound. That is why even representatives of the famous Italian school lose their votes so easily.

The voice sings and speaks a tune. Melody is movement. Only that which is itself mobile can produce movement. The ball flew - a hand threw it, a branch swayed - it was pushed by the wind. Consequently, the so-called "masks" and "teeth" are logically excluded from the work on the voice. They are absolutely motionless and therefore cannot lead a melody. Moveable respiratory organs, their musculature and external musculature associated with them. This is what can speak, shout and sing in a person!

Singing is the only kind of music in which tool- part of the body musician, and one of the most important and least manageable: respiratory system. We do not see the movements that take place inside them, these movements in tempo, style and rhythm depend on emotional states

Learning to sing is learning to control breathing and singing emotional mood. After all, if breathing is subject to emotions, emotions can also be subject to breathing. And you can automatically create a breath of excited and calm states and subordinate to him singing, speech and well-being.

Actors and singers have a professional term - "support". Everyone agrees that a “supported” sound is good, an “unsupported” sound is bad, and that “supported sound is possible only where there is a “supported” breath, although it is not known how a “supported” breath differs from an “unsupported” one.

In the meantime, it's simple.

A "supported" voice is a sonorous voice. And what is a "supported" breath? Touching a partner's shoulder does not mean leaning on him. To lean means to transfer part of the gravity of your body to someone else's shoulder, to feel that the muscles of the shoulder began to resist the pressure of your hand. Therefore, a "supported" breath is a breath of ultimate depth. The air taken during such an inhalation cannot go further. He "leaned", to put it simply, rested against the walls of the respiratory organs. The muscles surrounding them began to resist the pressure of air, and we feel it. And if the breath is done correctly, you will immediately want to scream or sing!

inhale- the movement of air into the body. To consciously inhale is to mentally establish a connection with the bottom of the lungs. The direction of the larynx is diagonal in relation to the lungs, therefore, it is convenient for it to sing if you have taken, consciously or unconsciously, a breath “leaning” into the back. The lungs expand to the base not in the chest, but in the back. Therefore, this inhalation is easy to hold, although its volume is large.

Sound - exhalation, vibrating the vocal cords. Therefore, in order to preserve the feeling of “support” during the sound, you must leave the air where you “took” it from. The through action of the singer is to hold the right breath. And the exhalation goes away by itself: exhalation is a sound.

Don't think about the road you will take this breath. Think of the place where he instantly arrives, because if you think of the road, there are tensions. (By the way, most occupational diseases of the voice are the result of a gross violation of the conditions of pressure in the trachea and bronchi.) Do not look for this breath mind, look for movement and emotional attitude. Most often tilted during inhalation. Hold it and sing without directing the sound anywhere.

There is an opinion that lock» breath harmful, almost dangerous. Yes, it is harmful to hold the breath that distorts the shape of the lungs, and it is harmful to do so. inhale, which fills the lungs without distorting, can return both voice and health.

If you want to learn how to learn how to sing beautifully and put your voice on your own, use the exercises to develop singing skills.

Therefore, if you consciously take the right breath and hold it, your singing intuition will do the rest. You can help her with movement and thought.

First of all, what connections are made in the singer's body? The source of sound is the vocal cords. To sound, they must close - an oncoming movement at neck level. The air jet that vibrates them to make them sound goes from two bronchi into one trachea - a counter movement at chest level. Both of these movements are uncontrollable. But the lungs, as if on a foundation, lie on the diaphragm and obey it, and she - to them.

If, in order to sound, two vocal cords close, and two air jets meet, then the diaphragm must unite the lungs during sounding. How? With the help of inhalation, which fills the lungs with air, does not separate them. And since the diaphragm is the strongest muscle among all those associated with breathing, closure also obeys it. vocal cords in the larynx, and the oncoming movement of air jets in the chest. Only one breath can fill the lungs without separating them - a breath into the back.

Remember the drill song in the army, the choral song at the table, and the song of collective labor, for example, our "Dubinushka". In all cases, the song lifts the mood, frees from the usual restraint and unites people who cannot be united by words. But there are no vocalizing soldiers, barge haulers, and even the most drunken company tries to pronounce the words. And this is understandable: wanting to express thoughts and feelings, people are looking, first of all, words And sing them when the emotional mood is above average or they want to raise it. Consequently, for a person who sings naturally, singing is a drawling speech of increased emotionality.

... it makes no sense for a professional singer to imagine singing as a vocalization with words, and even with a voice setting. After all, then it is an abstruse and complex action. And the words get in the way of singing. And what is it like to listen to a singer whose words interfere with singing? If singing is a drawl for you, then this action is emotional and simple, and the words help to sing, organizing the cantilena. You just have to say it, because what is well said is half sung.

It is generally accepted that the length of a sound depends on the work of the internal muscles (diaphragm, abdominals), and the pronunciation of words depends on the external muscles (lips, jaws). The singer who believes in this is faced with a choice: is it better to pull or is it better to pronounce? His attention is split in two: cantilena - attention to the abdominals and diaphragm, diction to the movement of the jaws and lips. Active articulation is essentially a grimace that destroys appearance singer. In addition, the jaw is a bone. She is heavy. The larynx is cartilage. He is light. How does the larynx sing when jaws are actively clanging over it? And how long can she stand it? Imagine Venus dropping his jaw, or Apollo making a pug. How will they look? Wouldn't it be better to remember the figurative folk expression that sounds like praise to the singer - "he sings from the inside"? And don't think that to sing from the inside means to sing with special expressiveness. Not! The people spoke as they heard: it sings from the inside, which means that the body sounds like a musical instrument. The pipe sounds and the chest sounds. They are mobile and active. And the “mask”, “dome”, “teeth” are an immovable superstructure above what sings. Therefore, think that you pronounce the words with the same diaphragm. And don't force her. She knows everything. It is enough just to think about the fact that she is saying the words, and draw what was said. The length will expand your range, demonstrate your timbre and turn speech into one of the varieties of music - a melody with text. Another important question along with the question "How to learn to sing?" is the question "How not to lose your voice?" .

Music has three dimensions - height, timbre And force. The singer must help the vocal folds close so that the pitch of each note is accurate, freeing the timbre from extraneous sounds. But you can’t think about strength, forcing it will not create it. You have to think about loudness - ringing voice flies well in the hall. As for the range, it is obvious that the abdominals and diaphragm, and at low chest muscle groups. We answered the question how to learn to sing beautifully, how to put your voice on your own , now it's up to you!

A beautiful and strong voice may well become a hallmark of a person. They say that sometimes you can even fall in love not with appearance, but with voice. However, in addition to being attractive to the opposite sex, the voice plays an important role in the realization of a person in the professional field. For example, a strong voice is very important for actors, singers, announcers, priests. Fortunately, a naturally weak voice can be "set" and made powerful and bright. Read on to learn how to develop your voice.

What is your hearing?

Strange as it may sound, this question is very important for a musician. It doesn't make sense to "put" beautiful voice if the hearing is just terrible. Simply put, if you don't hit a single note while singing a scale, no beautiful voice will save you from a fiasco. Thus, you need to know how to develop your ear and voice before going on a big stage.

So, we develop an ear for music in order to develop a musical voice:

1) To begin with, we are trying to sing musical scales from the note “do” to “si” and vice versa. As soon as you start to hit the notes with the accompaniment of the piano, proceed to the next step - sing the “a cappella” scale, that is, without musical accompaniment.

2) Sing any song along with the singer, trying to make your voices "merge" into one.

3) Take any note on the piano (for example, “sol”) and gradually “bring” your voice to it, chanting the letter “a”. Pull the vowel until it merges with the note "salt".

Proper breathing

An important factor for the development of a singing voice is proper breathing. Here are the most popular techniques:

1) Stand up and put one hand on the chest and the other on the stomach. Breathe in through your nose to expand your chest. Exhale with your mouth.

2) Inhale through the nose and hold the breath for 5 seconds. Exhale through the nose as long as possible.

3) Inhale through your mouth and as you exhale, sing all the vowels in turn from “A” to “Z”.

4) Breathe in through your nose. As you exhale, say the numbers from 1 to 5. Gradually add one number to the count with each repetition.

good pronunciation

1) Gymnastics:

a) reach with your tongue out to the nose, and then to the chin. Repeat the exercise 5-6 times.

b) Strongly chew the lower and upper lip (30 seconds).

c) "Rinse" the cheeks, that is, alternate puffing and deflating the cheeks.

2) Reading tongue twisters like "Sasha walked along the highway and sucked dry."

3) Say the sound "m". First say it in a low voice, and then gradually increase the power and add sound.

4) Inhale the air through your nose, and then sharply say: "Ha!". Do this exercise for 1 minute.

How to Develop a Voice for Singing: Forbidden Habits

Always remember that there are habits that negatively affect the vocal voice.

1) Quit smoking if you smoke. Quitting smoking will not only improve your overall health, but it will also protect your lungs and throat from carcinogenic cigarette smoke.

2) Try to talk as little as possible in the cold. The cold has a detrimental effect on the ligaments.

3) Don't drink cold water and don't eat too cold food. You can not refuse ice cream completely, but it is better to eat it slightly thawed.

How to Develop a Voice for Singing: Good Habits

1) Learn to swim and visit the pool regularly. Swimming allows you to keep the muscle corset in good shape and perfectly develops the lungs.

2) Eat warm food.

3) Constantly develop your ear, including classical and instrumental music at your leisure.

4) Read aloud to relatives or to yourself. This allows you to put diction.

Video on the topic of the article

If you are taking your first steps in learning to sing, choose the best simple exercises, that meet the following criteria:

• a melody of a small range, covering 3-5 adjacent sounds (or, as the musicians say, 3-5 steps, the third-fifth range);
• the melody moves step by step, i.e. without jumps, from top to bottom.

Sing the exercises at a slow pace. You can perform the same melody on different vowels, on different syllables, on different words.

Exercise 1. Singing with your mouth closed.

Sometimes this exercise is called “singing to the consonant “M”, “mooing”, but still it is better to call it “singing with a closed mouth”, then the correct associations arise.

The lips should be closed, the teeth should be open, there should be a large volume in the mouth. Breathe in through your nose and sing.

Make sure the sound is wide and free. It should not have ringing, harshness and nasality. Perform this exercise only on the most comfortable sounds for you.

Pay attention to your feelings. Where do you feel the vibration of the sound?

Sing the chant to the accompaniment:

Download the chant accompaniment. To do this, right-click on the link and select "Save Link As..."

Exercise 2. A melody in progressive downward movement, covering three adjacent sounds.

Sing this exercise on the vowel sound "yu", on the syllables "lu-lu-lu", "ma-a-a". Make sure that the vowel "A" is rounded like an "O". That is, sing "ma-a-a", and think "mo-o-o" at this time.

Download the chant accompaniment.

The wisest people of all times attached great importance to:

Hazrat Inayat Khan, an Indian musician and philosopher, believed that by knowing the secret of sound, one can know.

In my opinion, the voice is an even more frank mirror of the soul than the eyes. Eyes can be turned aside, hidden behind dark glasses, and the voice, if you do not own it, will tell about all the problems of the personality: it will reflect the inner reality of a person in all colors. For instance:

• You raise your voice unnecessarily - it means you are worried and losing control of yourself;
• The pace of speech accelerates - uncertainty;
• You interrupt and try to answer without listening to the end of the question - you are annoyed.

But if we own this powerful tool, then with its help we can harmonize our inner world(gain confidence and calmness), which means creating our reality.

After all, the voice is our calling card. Special exercises for voice training , will teach you to speak beautifully, confidently and freely. Your opinion will always be listened to, and in your address you will never hear: "It would be better if he did not open his mouth."

Do you need to work on your voice

• Reading with a pencil.

We hold a pencil or wine cork between the front teeth. At the same time, the mouth is ajar, the tongue does not touch the cork (pencil), the teeth are bared. We pronounce those sounds, during the pronunciation of which the lips do not turn on in movement: k, g, g, k, d, n, n, l, l, d, d. Next, we combine them with vowels.

We take any book and read aloud a few pages in this uncomfortable position. It needs to be repeated daily. The positive effect is noticed quickly.

• K T P (six different combinations) + vowel sounds S O E I A U.

For example: we quickly repeat kpti-kpte-ktpo-ktpa-ktpo-ktpu-ktpy, then ktpi-ktpe-ktpa-ktpo-ktpu-ktpy and so on combining with different vowels (ktpi-…, kpti-…, tpki-…, birds-…).

We perform the same actions for the consonants B G D, Zh R L, M R L in combination with the sounds of the vowels Y O E AND A U.

• Write down those sounds that are difficult for you to pronounce(for example, r, c, l). Make up sentences with words in which these sounds are repeated often. Repeat these suggestions daily.
• Say the vowels first silently and then with a voice: iiiiii, yoyoyoyo, ooooh, yayyyyy, aaaaa. The mouth should be open wide, the jaw drops freely.
• Read your favorite poems, pronouncing and pressing on the sounds of yayayay, aaaaa, iiii, eeee, yoyoyoyo.
• Speak tongue twisters: first - slowly, then - quickly, clearly and rhythmically:

Oriental Duck

The Ligurian traffic controller regulated in Liguria.

Redstart-gory-tailed redstarted redstart cubs.

The avocet-avocet has bobbed the avocets.

And I don't feel sick.

Brit Klim-brother, Brit Gleb-brother, brother Ignat - bearded.

The pike tries in vain to infringe on the bream.

He did not carry, but he conveyed to us.

The nervous constitutionalist was found acclimatized in Constantinople.

A heron is carrying a pig with a pike on a sled.

A large pile will not bore you.

Rhododendrons from the arboretum.

Now this, then the other, then this, then the other, then the woodpecker seems to be an Egyptian god there.

• Grandma's method: we take walnuts in our mouth and talk, read aloud for 20 minutes every day. Remember the film "I am the most charming and attractive" with Irina Muravyova in leading role. There she developed her speech in the same way. The main thing - you need to pronounce the syllables clearly.

lower jaw training

You should practice in front of a mirror, only the articulatory organs should participate in the exercises, and the forehead, nose and eyes should be motionless. Do the exercises smoothly and slowly.

• We lower the lower jaw by two fingers and hold it in this position, counting to five. Mouth slowly close.
• We lower the lower jaw and slowly move it to the left and right.
• We lower the lower jaw and slowly push it forward and return it to its original position.

We train the muscles of the tongue

A sedentary and sluggish tongue often leads to a loss of speech intelligibility, it becomes blurred and slurred.

• Roll up your tongue.
• Stick your tongue out of your mouth as far as you can and move it left, right, down and up.
• Lick everything inside your mouth with your tongue, as if cleaning, penetrating into the farthest corners.
• Click your tongue, pressing it firmly against the sky and then sharply lowering it.
• Perform all these exercises with high quality, but without undue stress.

Lip training

• In the initial position, the mouth is closed, the muscles of the lower jaw are relaxed. Alternately raise and lower the upper and lower lips, while the gums are not visible, and the muscles of the face are calm.
• Pull the corners of your mouth to the sides, and then pull your lips forward with a tube. First imitate, then pronounce the sounds y - and.
• Repeat the combinations of labial consonants bm, mb, mp, pm and labio-dental mv, em, vb, bv, etc.
• Massage the lips: with the lower teeth, the upper one, and the upper teeth, the lower one.
• Stretch your lips with a tube and move left and right.

Throat muscle training

• First mentally, then in a whisper, then aloud alternately pronounce the sounds “and”, “y”. Repeat at least 10-15 times.

This exercise develops the mobility of the larynx: pronouncing the vowel sounds “and” the larynx takes the highest position, and the phonation “y” lowers it to the lowest position.

• Teeth closed, suck in air.
• Lips stretched forward, suck in air.
• Simulate chewing movements with your mouth open and closed - during the exercise, the muscles of the larynx, soft palate, pharynx, lips and tongue are vigorously contracted.

We develop sonority and flight voice

We train the upper resonators:

• While sitting or standing, take a short breath through your nose. At the same time, with your mouth closed and without tension, say "n" or "m" with an interrogative intonation. Try to feel the vibration in the area upper lip and nose.
• Take a deep breath. Breathing out, say "bonn", "donn" or "bimm". Speak the last consonant lingeringly, achieve a sensation of vibration in the area of ​​​​the upper lip and nose.
• Inhale deeply. Exhaling, pronounce the syllables “momm”, “mimm”, “ninn”, “nunn”, “nann”, etc.
• Take a deep breath. As you exhale, first say briefly, and then draw out any of open syllables: moo-muu, mi-mii, mo-moo, but-noo, ni-nii, etc.

Training the lower resonators(vowels "y" and "o" pronounce drawlingly and most low):

• In a standing position, place your hand on your chest. Make a yawn with your mouth closed, fix the larynx in the lower position. Exhaling, say "y" or "o", try to feel the vibration of the chest. If it doesn’t work, you can artificially cause vibration by lightly tapping your hand on the sternum.
• In a standing position, place your hands on your chest. Leaning forward, exhale and pronounce long and drawn out vowels "y", "and".
• Standing position, hands on chest. Breathe out "window", "eye", "tin", "flour" or "milk".

To conclude this article, let me quote the words of Hazrat Inayat Khan:

The one who controls himself is free.

The choice of a free person is unlimited.