N. Nekrasov, like V. Mayakovsky, is considered by many to be only a "political" poet, a fighter for civil rights ordinary people. But even if a dispute can arise about the poetic meaning of Nekrasov's "civilian" poems, then the disagreements are significantly smoothed out and sometimes even disappear when it comes to Nekrasov as ethics and lyrics.
I don't like your irony.
Leave her obsolete and not alive
And you and I, who loved so passionately... The fierce singer of grief and suffering completely transformed, became surprisingly gentle, soft, and gentle, as soon as it came to women and children.
While still shy and gentle
Do you want to extend the date?
While still seething in me rebelliously
Jealous worries and dreams -
Do not rush the inevitable denouement!
Nekrasov's lyricism arose on the fertile soil of the burning and strong passions that possessed him, and the sincere consciousness of his moral imperfection. To a certain extent, the living soul was saved in Nekrasov by his "guilts", about which he often spoke, referring to the portraits of friends who "reproachfully from the walls" looked at him. His moral shortcomings gave him a living and immediate source of impulsive love and a thirst for purification. The strength of Nekrasov's appeals is psychologically explained by what he did in moments of sincere repentance. Who made him speak with such force about his moral falls Why did you have to put yourself on the wrong side? But obviously it was stronger than him. The poet felt that repentance evokes the best pearls from the bottom of his soul, and surrendered himself entirely to a spiritual impulse.
We boil stronger, full of last thirst,
But in the heart there is a secret coldness and longing...
So in autumn the river is more turbulent,
But the raging waves are colder...
The power of feeling causes an enduring interest in Nekrasov's lyrical poems - and these poems, along with poems, for a long time provided him with a paramount place in Russian literature. His accusatory satires are now outdated, but from Nekrasov's lyrical poems and poems one can compile a volume of highly artistic merit, the significance of which will not die as long as the Russian language is alive.
"I don't like your irony" Nekrasov
"I don't like your irony" analysis of the work - theme, idea, genre, plot, composition, heroes, problems and other issues are disclosed in this article.
History of creation
The poem “I don’t like your irony”Written by Nekrasov, presumably in 1850, published in the Sovremennik magazine No. 11 for 1855. It is included in the collection of poems in 1856.
The poem is addressed to Avdotya Panaeva, with whom Nekrasov was in love. Their romance, which began in 1846 and lasted almost two decades, never ended in legal marriage. In this sense, the poem "I do not like your irony" is prophetic.
Avdotya Panaeva was the wife of Nekrasov's friend Ivan Panaev, with whom they revived Sovremennik together. Since 1847, the trinity lived together, Nekrasov, with the consent of the windy Ivan, became the common-law husband of Panaeva. Both were burdened by this connection, although they loved each other.
The relationship between Nekrasov and Panaeva was uneven. There were violent showdowns, temporary cooling off towards each other. About this poem.
Literary direction, genre
The poem “I don’t like your irony” refers to intimate lyrics and is included in the so-called “Panaev cycle”. It tells about the development of love relationships, realistically explaining the internal causes of external changes in communication.
Theme, main idea and composition
The theme of the poem is the development of love relationships, the fading and cooling of feelings.
The main idea: only love is real life, so love needs to be protected, you need to take care of its preservation, noticing the first signs of extinction.
A poem is an appeal to a beloved. The reason for the appeal was mockery, the irony of the beloved in relation to the lyrical hero.
In the first stanza, the lyrical hero admits that his feelings are fading, that the once-ardent love only glimmers in his heart. irony, in terms of lyrical hero, is characteristic of "obsolete and not lived", that is, those who did not love at all or no longer love.
In the second stanza, the lyrical hero describes the current state of the relationship: the woman shyly and tenderly wishes to prolong the date, in the heart of the lyrical hero "jealous anxieties and dreams boil". But love is fading, which is conveyed by the words "yet". The last line of the second stanza calls the fading of love an inevitable denouement.
In the last stanza, the lyrical hero no longer harbors illusions, does not hope for a continuation of the relationship, which he calls for in the first two stanzas, using exclamatory sentences. Scandals and conflicts are a sign of the end of a relationship, when there is already “secret coldness and longing” in the heart.
Paths and images
The poem is based on the opposition of cold and hot, boiling and glaciation. Love is like a boiling turbulent stream, which is described with the help of metaphors: passionately loved, seething jealous anxieties and dreams, seething stronger, full of last thirst. Feeling opposed secret coldness and longing hearts (metaphor of indifference).
Feelings preceding the cooling, Nekrasov compares with the river, which boils more strongly in autumn, although it becomes colder. Thus, the strength of feelings (turbulence) is not equivalent to their quality (warmth or coldness) for the lyrical hero. The river boils and freezes, so does love.
The poem has a complete thought and without the last two lines, which are preceded by ellipsis. Comparison of feelings with a stormy river is the last argument that the lyrical hero cites in order to achieve an understanding of his beloved.
Epithets are of great importance in the poem. All of them are negatively colored: jealous anxieties and dreams, last thirst, inevitable denouement, secret cold. They are opposed by adverbial epithets with a positive connotation: passionately loved, you wish shyly and tenderly, boil rebelliously. The lyrical hero perceives the actions of the heroes as a manifestation of love, but the state ( anxiety, thirst, denouement) considers them to be deprived of the desired feeling. This is how the idea of the poem works at the linguistic level.
Size and rhyme
The poem has unusual rhythmic organization and rhyming. The size is defined as iambic pentameter, but there are so many pyrrhic that the rhythm goes astray, like in a person who, due to excitement, cannot equalize his breathing. This effect is facilitated by the shortened last line in the first stanza.
Each stanza consists of 5 lines, the rhyme in each stanza is different. In the first stanza it is circular, in the second it is cross, in the third the cross alternates with the adjacent one. This disorder corresponds to the inner rebellion of the lyrical hero. The masculine rhyme alternates with the feminine also randomly due to different rhymes.
Avdotya Yakovlevna Panaeva
The purpose of poetry is the elevation of the human soul. The poetry of N.A. Nekrasov is marked precisely by this desire to ennoble the soul and to awaken good feelings in the reader.
Speaking about the topics of poetry N.A. Nekrasov, it should be noted that along with works of a civil orientation, he also has poems that are distinguished by a special emotional coloring. These are poems dedicated to friends, women. These include the poem "I do not like your irony ...".
This poem was probably written in 1850. By that time, difficult times had come for the Sovremennik magazine, which Nekrasov was engaged in publishing. Shortly before this, a wave of revolutionary uprisings took place in Europe, which contributed to the strengthening of censorship in Russian Empire. Severe restrictions on the part of the authorities led to the fact that the release of the next issue of the Sovremennik magazine was in jeopardy. Nekrasov found a way out of the critical situation by suggesting that Avdotya Yakovlevna Panova jointly write a novel that, by its content, would not cause discontent among the censors. The publication of this novel on the pages of Sovremennik could save the magazine from commercial collapse. Panaeva agreed to this proposal and took an active part in the work on the novel, which was called "Dead Lake".
Work on the novel brought Nekrasov and Panaeva very close, new motives appeared in their relationship. Any joint creative work, as well as life in general, includes both moments of joy and delight, as well as moments of grief and misunderstanding. In one of the moments of mental confusion, Nekrasov writes a poem "I do not like your irony ...", addressed to A.Ya. Panaeva. The main theme of this poem is the relationship between two people, a man and a woman, who still cherish each other, but are already close to breaking off the relationship.
The work is written in the form of a lyrical hero addressing his girlfriend. Compositionally, the poem “I don’t like your irony ...” is conditionally divided into three semantic parts, three five-verse lines. In the first part of the poem, the lyrical hero characterizes the relationship between two close people and shows how complex these relationships are. He heartily says that mutual feelings have not yet faded completely and concludes that it is too early to indulge in mutual irony. In the second part of the poem, the lyrical hero urges his girlfriend not to rush to break off relations, knowing full well that she still wants to continue meeting, and he himself is in the grip of jealous anxieties and dreams. In the final part of the poem, the optimistic mood of the lyrical hero comes to naught. He is clearly aware that, despite the outward activity of their relationship with his girlfriend, a spiritual coldness is growing in his heart. The poem ends with an ellipsis, showing that the lyrical hero still hopes to continue the conversation on a topic that is so exciting for him.
N.A. Nekrasov’s poem “I don’t like your irony ...” stands out significantly among his other works as an excellent example of intellectual poetry. This is a work about people who are well aware of life, for whom a high level of relationships is characteristic. Being on the verge of parting, they only feel sad and allow themselves to use only irony as a means of reproach towards each other.
The main idea of \u200b\u200bthe poem “I don’t like your irony” is that for people whose relationships are on the verge of parting, it is very important not to draw hasty conclusions and not rush to rash decisions.
Analyzing this poem, it should be noted that it is written in iambic pentameter. Nekrasov rarely used two-syllable meters in his work, but in this case, the use of iambic pentameter is justified. This choice of the author gives the effect of free sounding of the verse and enhances its lyrical mood. In addition, iambic pentameter makes the line longer, encouraging readers to think about the content of the work.
The novelty and originality of the poem lay in the fact that Nekrasov used five-line stanzas with constantly changing rhyme schemes. In the first stanza, a ring rhyming scheme (abba) is implemented, in the second - a cross (ababa), and in the third - a mixed scheme, including both elements of a ring and cross rhyming schemes (abaab). Such a choice of rhyming schemes creates a feeling of lively colloquial speech, at the same time preserving the melodiousness and melodiousness of the sound.
Facilities artistic expressiveness applied by Nekrasov in this lyrical work, include such epithets as “inevitable denouement”, “full of thirst”, “roaring river”, “raging waves”, which well convey the mood of the lyrical hero. The author also uses metaphors: “ardently loved”, “jealous anxieties”. An important place in the poem is occupied by exclamations that convey the degree of excitement of the lyrical hero: “It is too early for us to indulge in it!”, “Do not rush the inevitable denouement!”.
Not bypassed attention and such an element of artistic expression as allegory. Speaking about the mutual feelings of two people who still love each other, the author compares these feelings with a river that becomes turbulent in autumn, but its waters become colder.
My attitude to the poem "I do not like your irony ..." is as follows. Nekrasov cannot be attributed to the authors - singers of beauty and love - but he felt love itself subtly. The poet's zone of experiences is activated in the poem, his life impressions are reflected in it. He treats cooling in relations without reproaches and edifications, philosophically. The feelings of the poet are masterfully conveyed.
Nekrasov's poetry is distinguished by the desire to ennoble the soul and revive a good beginning in the soul of every reader. This desire was most clearly reflected in the poet's lyrics dedicated to true friends and beloved women.
In 1842, the poet Nekrasov met Avdotya Panaeva, the wife of the poet's friend, writer Ivan Panaev, with whom he revived the Sovremennik magazine. The first meeting between Avdotya and Nikolai took place in her house, where literary figures often gathered in the evenings.
The poet fell in love with a woman at first sight: he was struck not only by her attractive appearance, but also by her special achievements in journalism. Panaeva accepted signs of attention from Nekrasov and a stormy romance began. And since 1847, Avdotya, her husband and Nekrasov began to live under the same roof. Ivan himself agreed that his friend was the common-law husband of his lawful wife and lived with them in the same house. So Ivan wanted to save the marriage, believing that this relationship would not last long. However, Panaev turned out to be wrong in this: Nekrasov's romance with Avdotya lasted almost twenty years. But the relationship between the lovers was not smooth, they often cursed. As a result, the novel did not end with a legal union. The break in relations occurred after the death of a child born to Avdotya from a poet.
In 1850, Nekrasov realized that it was impossible to return the ardor of past relationships. As a result of a long painful novel for everyone, he writes the poem "I do not like your irony." In it, the poet noted that he had previously tortured amazing feelings for one woman. The passion for her was also intensified by the certainty that his chosen one loved the poet just as much. But time is ready not only to create, but also to destroy. It can destroy love.
Nekrasov believes that this happened after the death of their common child. It seems that the death of the baby broke the invisible thread between the lovers, and they began to move away from each other. But the poet understands that love still has not completely died out, but everything around says that separation is inevitably on the threshold. The hero asks his chosen one only to hurry this minute. He does not like the irony of his beloved, because she says better than any confession that the novel will soon come to an end.
This poem is built on contrasts. The image of love is created using a metaphor that compares feelings with a boiling stream. Indeed, in reality, the relationship between Panaeva and Nekrasov flared up sharply, seethed and, having exhausted itself, cooled down, as if all the water had poured out of a boiling vessel, and it was empty.
The poem has a logical conclusion even without a short ending, before which the author put an ellipsis. The comparison of love with the river is the last proof that the poet brought to try to reach an understanding of the chosen one.
An important role is played here by epithets, such as, for example, "jealous anxieties." Each of them has a negative rating. In contrast, they are given positive epithets, such as, for example, “you tenderly wish.” Such a neighborhood hints at the constant mood swings of a couple in love.
Nekrasov sees the actions of a man and a woman as an active manifestation of love, but the poet considers the state of mind described by the words “anxiety”, “thirst” to be without the desired feeling.
It is worth paying attention to the unusual rhythm and rhyme. The poem is written in iambic pentameter. However, there are so many pyrrhic here that the rhythm is lost, as if an overly worried man is out of breath. This feeling is reinforced by the short final line at the beginning.
Nekrasov is a master of words. In just fifteen lines, he managed to tell the reader the love story of two people who lost it, confusing a high feeling with base passions.
Nekrasov's poem "I do not like your irony ..." stands out from the list of the main topics on which the poet wrote. This is an intimate lyric that tells about the relationship between Nikolai Alekseevich himself and his beloved Avdotya Yakovlevna Panaeva at that time.
The verse was written in 1850, five years after the beginning of the poet's close relationship with Avdotya. Around this period, the first sprouts of cooling appeared in their relationship, which Nekrasov writes about. The poem became available to the general public in 1855, when it was published in Sovremennik.
Main idea and theme
The main theme of Nekrasov's verse is the emergence of love in the past, its gradual dying in the present and the vision of complete cooling in the not so distant future. This is the story of two loving and beloved people who appreciate and cherish what is between them, but who came to the conclusion that the relationship has entered the stage of extinction and can be stopped.
At the beginning of the work, the author admits to the rejection of irony on the part of his beloved. Such an attitude of the beloved to what he is doing, the hero refers to signs of withering of feelings and asks not to behave this way, because irony is the lot of those who have already experienced a period of vivid attraction. He asks his beloved to prolong the feelings and passion that still exist in the relationship.
The second part of the verse is a clear demonstration of the behavior of the hero's beloved and his own feelings. She is gentle and shy on dates, she still wants them to last longer. He is full of zealous feelings and still burns with them. He asks his beloved not to bring the end of their relationship closer.
And, despite the requests, he already clearly sees the end, what in question in the third part of the work. And that is the culmination of the whole message. Emotions in the two of them, according to the hero, are boiling, but differently than at the beginning of the relationship. Now they are trying to quench the need for them, as if thirsty, greedily swallowing the remaining feelings. Meanwhile, in the heart there is already a growing longing and coldness of the future alienation.
Structural analysis
The lyrical poem "I do not like your irony ..." consists of three stanzas, each with five lines. The rhymes used by the author violate the seemingly strictly defined order, and, thereby, once again emphasize the conflicting feelings that are also present in the soul of the poet. Contrasts opposing each other reinforce the impression. Passions boil in the heroes of the poem, but there is a secret coldness in the heart.
In the first stanza, Nekrasov uses a ring rhyme, in the second he uses a cross rhyme, and in the third he turns to a mixed one. In his stanzas, Nekrasov skips the stresses, thereby conveying the excitement to the reader.
Emotional coloring is also very contrasting. A number of experienced feelings, Nikolai Alekseevich describes tenderly and romantically: “ardently loved”, “shyly and tenderly”, “full of thirst”. There is also a negative in the stanzas - these are “jealous anxieties”, “denouement of the inevitable”, “secret coldness”.
Conclusion
In his work, the author sought to convey to the reader the idea that two loving people, who gradually came to the verge of parting, when the first calls about the cooling of feelings appear, should not rush into a final decision or draw hasty conclusions.
