Love in the life of Sergei Yesenin.

The theme of love has always been relevant for poets, artists and musicians. Everything has been said and written about love for a long time, but, nevertheless, all people have a different idea of ​​​​this bright feeling. That is why the theme of love will always remain in demand for creative individuals.

In the poems of the talented poet Sergei Yesenin, the love theme is present even in his earliest works. At first these were poems that were poetically stylized and folkloric. For example, this is the poem from 1909 "Imitation of a Song"

This verse is similar to a lyrical song composed by the Russian people. In this creative period of the poet’s poetic life there are other lyrical works that he dedicated Anna Sardanovskaya– to the sister of his childhood friend, namely: “Why are you calling...”, “The bird cherry tree is pouring snow...”, “The scarlet light of dawn is woven on the lake...”. The poet's soul is full of love and jubilation, with tender dreams of a date.

Then, in lyrical poems about love, motifs will arise that unite the poetry of nature and love poetry. These motifs convey the full spirituality of this sublime feeling, as well as its innocence. For example, in the work "Green hair...", which was dedicated to Kashina L.I., the slender girl is compared to a birch tree, and her braids are compared to twigs combed with the crest of the moon. This “birch tree” tells the story of a shepherdess who visits it at night.

There should have been a book in a chaste manner "Poems about love", but the cycle of these poems was never written by him.
Another type of love feeling is presented in the cycle “Moscow Tavern”. In the early twenties, a crisis occurred in the poet’s soul due to his tossing between Tsarist and Soviet Russia and the feeling of his own uselessness. Yesenin consoled himself with drunkenness and wild life. It seemed that he would never experience sublime love. In the work “Letter to a Woman,” the poet says that he wanted to “destroy himself in a drunken stupor.”

He began to treat the feeling of love as something sublime, but like a tightening whirlpool, calling love “infection” and “plague”.

The poet is disillusioned with matters of the heart, so he writes lines full of cynicism, vulgarity and rudeness, calling a woman a “lousy bitch” and all women “a pack of dogs.”

During this period, Yesenin spoke rudely towards a woman for the first time in his works. But still the hero of his cycle of poems "Moscow Tavern"“In the end he asks to forgive him. He tries to be consoled by love and with its help heal the wounds of his soul.

Yesenin dedicated a cycle of his poems "Love of a Bully" Miklashevskaya Augusta. This new love healed Sergei's wounded and empty soul. Yesenin becomes inspired by this feeling, he is inspired again, writes beautiful poems and again believes in this bright, ideal, sublime and wonderful feeling of love.

In the work “A blue fire began to sweep…” the author admits that this is the first time he sings about love and “refuses to make a scandal.”
Now the meaning of his life is to admire his beloved, look into her beautiful golden-brown eyes, touch her hand and hair. The hero proves that the bully is also capable of love and can be submissive. Love and his beloved have become the meaning of this hero’s entire life; he is ready to follow his beloved to the ends of the earth. The line of love can also be traced in the poetic work “You are as simple as everyone else.” Here the beloved woman is seen by the hero of the work as a strict icon of the Mother of God.
In 1924 Yesenin went to Batumi. There he met Talyan-Tertaryan Shagane. This acquaintance inspired Yesenin to write “Persian Motifs.” He's writing poems “You said that Saadi...”, “You are Shagane, my Shagane...”, “I asked the money changer today...”.

They transmit "Persian motives" Yesenin's nostalgia. In this lyrical cycle, love for a woman and love for one’s native country are inseparable. The hero of the cycle is in love and feels happy, but remembers that there is another girl left in her homeland who looks like this beloved one, she probably remembers him.

A bright feeling led the hero to the south. But it is not able to overshadow his love for his homeland and his strong longing for it.

The poems of the last creative period of the poet’s life express contempt for false love feelings and hostility towards female deception. Yesenin in his poems condemned lying women. He dreamed of a sublime, bright, sincere feeling. Such, for example, is the verse “Leaves are falling, leaves are falling...”. In it, the hero is tired of his difficult fate and wants only tender love.
Poems about love express all shades of the lyrical hero’s feelings. These works also reflect the biography of the author himself. In Yesenin's poems, any person will find their own idea of ​​love.

The theme of love runs like a red thread through all stages of the creative path of the great Russian poet. Sergei Aleksandrovich Yesenin seemed to put a piece of his soul into every line he composed, expressing sincere love for his native land, for nature, for people. His feelings, experiences, thoughts are close to every reader. That is why Sergei Yesenin’s lyrics to this day remain beloved and revered among representatives of different generations.

From the very beginning of his creative career, the image of his native land was firmly entrenched in the poet’s lyrics: beloved and irreplaceable, warming the heart in the most difficult times. Rural life, Russian folklore, girlish laughter and the beauty of Russian nature - all this inspired the poet, thanks to which many wonderful works were born.

Love for his native land became the main theme of the poet’s work. In the poem “The hewn horns began to sing,” warm, sincere love has a slightly sad tint, but in the famous “Go, my dear Rus',” Yesenin expresses delight, joy and devotion to the Motherland. Sergei Alexandrovich did not like city life, but praised only what was close to nature, to the origins of the culture of the people. In later works, such love is expressed in regret for the departed, as well as in contempt for godlessness and unwillingness to live according to the new laws of society (“Return to the Motherland”, “Soviet Rus'”).

Love for Russia closely echoes in Yesenin’s lyrics with love for his mother. The famous poem “Letter to a Mother” is a tense lyrical monologue. In this letter-message, using colloquial vocabulary, vernacular, jargon, metaphors in combination with a high book style, the author expresses many feelings that overwhelm his vulnerable heart: anxiety, pain, tenderness, trust, melancholy. And this is not surprising, because sometimes only a mother can be trusted and opened up.

Yesenin's philosophical lyrics reveal a love for the animal world. The tragic poem “The Fox” shows how ruthless people are towards defenseless animals. In the works “Cow” and “Song of the Dog” the author conveys tragedy through the perception of the animals themselves. For the poet, the animal world is an important part of nature, part of his native land, which means it is impossible not to love it.

Sergei Yesenin's love lyrics are filled with both joyful and sad feelings. Many poems are dedicated to a specific woman. Despite the fact that the fair sex did not deprive the talented poet of attention, and he himself was married three times, Yesenin’s love poems are mostly tragic in nature. These are “Letter to a Woman”, “You don’t love me, you don’t regret me”, “Well, kiss me, kiss me” and others.

For a poet, love becomes not just a source of inspiration, but also the meaning of life. This is manifested in all areas of his work, filled with a range of truly human feelings that Sergei Yesenin himself experienced and which every person experiences after becoming acquainted with his lyrics. The poet sang sincere, pure, sublime love, and, for sure, believed that it was she who would overcome all sorrows and adversity.

Essay Love in the works and lyrics of Yesenin

The great poet, who was born in Russia at that time, was very talented. Yesenin, since it was he, from the very moment he began to write his beautiful works, put his whole soul into them. He loved his land, loved his family, and also often had exalted feelings for just all the people on earth, since he was a bit of a humanist. When he wrote about something, about his feelings, or about anything else, he addressed all his emotions that he conveyed in the lines to his readers.

Love was the most important theme in all of Yesenin’s works. Because, as mentioned above, he was very humane, that is, he loved people, nature and everything around him, and did not hate the whole world, as is sometimes pursued by some poets and writers. But most of all, he probably loved his own land - so beautiful, so prosperous, all the nature around him, so romantic and mysterious.

For Yesenin, his native land was a very important factor in life, which is why he often mentions the nature around him in his poems, describing all its beauties, as well as the emotions and feelings that he has towards it. That is why, reading his works, my soul somehow becomes more joyful, much sweeter. You begin to imagine this seemingly unearthly land - so dear to the poet. Nature has always been dear to the poet Yesenin. After all, even she was like a lively hero in his poems. She lived, felt pain, joy and peace.

Sometimes in Yesenin’s works such emotions as sadness and grief in relation to the nature of Rus' are pursued. It turned out that Yesenin did not always express delight and joy; sometimes sadness, and even sometimes pain, slips into his lines in poems.

In addition to the theme of love for nature, Yesenin expressed in his works his love for Rus', so majestic and at the same time simple. For the sensitive poet, Russia was identified with the image of a mother, tender and loving. That is why Yesenin sometimes grieves that the past is gone and will never return.

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Biography of the poet Sergei Yesenin was born on September 21 (October 3) in 1895 in the Ryazan province, the village of Konstantinovo, and died on December 28, 1925 in Leningrad. All his life he passionately loved his homeland, which, of course, can be seen in many of his poems. The country inspired his lyrics.

The theme of love runs like a red thread through all stages of the creative path of the great Russian poet. Sergei Aleksandrovich Yesenin seemed to put a piece of his soul into every line he composed, expressing sincere love for his native land, for nature, for people. His feelings, experiences, thoughts are close to every reader. That is why Sergei Yesenin’s lyrics to this day remain beloved and revered among representatives of different generations.

From the very beginning of his creative career, the image of his native land was firmly entrenched in the poet’s lyrics: beloved and irreplaceable, warming the heart in the most difficult times. Rural life, Russian folklore, girlish laughter and the beauty of Russian nature - all this inspired the poet, thanks to which many wonderful works were born.

Love for his native land became the main theme of the poet’s work. In the poem “The hewn horns began to sing,” warm, sincere love has a slightly sad tint, but in the famous “Go, my dear Rus',” Yesenin expresses delight, joy and devotion to the Motherland. Sergei Alexandrovich did not like city life, but praised only what was close to nature, to the origins of the culture of the people. In later works, such love is expressed in regret for the departed, as well as in contempt for godlessness and unwillingness to live according to the new laws of society (“Return to the Motherland”, “Soviet Rus'”).

Love for Russia closely echoes in Yesenin’s lyrics with love for his mother. The famous poem “Letter to a Mother” is a tense lyrical monologue. In this letter-message, using colloquial vocabulary, vernacular, jargon, metaphors in combination with a high book style, the author expresses many feelings that overwhelm his vulnerable heart: anxiety, pain, tenderness, trust, melancholy. And this is not surprising, because sometimes only a mother can be trusted and opened up.

Yesenin's philosophical lyrics reveal a love for the animal world. The tragic poem “The Fox” shows how ruthless people are towards defenseless animals. In the works “Cow” and “Song of the Dog” the author conveys tragedy through the perception of the animals themselves. For the poet, the animal world is an important part of nature, part of his native land, which means it is impossible not to love it.

Sergei Yesenin's love lyrics are filled with both joyful and sad feelings. Many poems are dedicated to a specific woman. Despite the fact that the fair sex did not deprive the talented poet of attention, and he himself was married three times, Yesenin’s love poems are mostly tragic in nature. These are “Letter to a Woman”, “You don’t love me, you don’t regret me”, “Well, kiss me, kiss me” and others.

For a poet, love becomes not just a source of inspiration, but also the meaning of life. This is manifested in all areas of his work, filled with a range of truly human feelings that Sergei Yesenin himself experienced and which every person experiences after becoming acquainted with his lyrics. The poet sang sincere, pure, sublime love, and, for sure, believed that it was she who would overcome all sorrows and adversity.

Essay Love in the works and lyrics of Yesenin

The great poet, who was born in Russia at that time, was very talented. Yesenin, since it was he, from the very moment he began to write his beautiful works, put his whole soul into them. He loved his land, loved his family, and also often had exalted feelings for just all the people on earth, since he was a bit of a humanist. When he wrote about something, about his feelings, or about anything else, he addressed all his emotions that he conveyed in the lines to his readers.

Love was the most important theme in all of Yesenin’s works. Because, as mentioned above, he was very humane, that is, he loved people, nature and everything around him, and did not hate the whole world, as is sometimes pursued by some poets and writers. But most of all, he probably loved his own land - so beautiful, so prosperous, all the nature around him, so romantic and mysterious.

For Yesenin, his native land was a very important factor in life, which is why he often mentions the nature around him in his poems, describing all its beauties, as well as the emotions and feelings that he has towards it. That is why, reading his works, my soul somehow becomes more joyful, much sweeter. You begin to imagine this seemingly unearthly land - so dear to the poet. Nature has always been dear to the poet Yesenin. After all, even she was like a lively hero in his poems. She lived, felt pain, joy and peace.

Sometimes in Yesenin’s works such emotions as sadness and grief in relation to the nature of Rus' are pursued. It turned out that Yesenin did not always express delight and joy; sometimes sadness, and even sometimes pain, slips into his lines in poems.

In addition to the theme of love for nature, Yesenin expressed in his works his love for Rus', so majestic and at the same time simple. For the sensitive poet, Russia was identified with the image of a mother, tender and loving. That is why Yesenin sometimes grieves that the past is gone and will never return.

The theme of love has always been relevant for poets, artists and musicians. Everything has been said and written about love for a long time, but, nevertheless, all people have a different idea of ​​​​this bright feeling. That is why the theme of love will always remain in demand for creative individuals.
In the poems of the talented poet Sergei Yesenin, the love theme is present even in his earliest works. At first these were poems that were poetically stylized and folkloric. For example, this is the poem of one thousand nine hundred and ten, “Imitation of a Song.”
This verse is similar to a lyrical song composed by the Russian people. In this creative period of the poet’s poetic life, there are other lyrical works that he dedicated to Sardanovskaya Anna, the sister of his childhood friend, namely: “Why are you calling ...”, “The bird cherry is pouring snow ...”, “The scarlet light of dawn is woven on the lake ..." The poet's soul is full of love and jubilation, with tender dreams of a date.
Then, in lyrical poems about love, motifs will arise that unite the poetry of nature and love poetry. These motifs convey the full spirituality of this sublime feeling, as well as its innocence. For example, in the work “Green Hairstyle...”, which was dedicated to Kashina L.I., a slender girl is compared to a birch tree, and her braids are compared to twigs combed with the crest of the moon. This “birch tree” tells the story of a shepherdess who visits it at night.
There was supposed to be a book “Poems about Love” in a chaste vein, but the cycle of these poems was never written by him.

Thus, Yesenin’s early love lyrics are of a sensual, contemplative, dreamy nature. But it also reflected the elemental power of feeling, which has an earthly nature and at times even coarse in its manifestation. Love in Yesenin's poems of this period is concrete and fleeting. In later lyrics, a collective image of the beloved appears, to which the poet gives sensual, but at the same time ideal features.
AS the motives of disappointment in life began to sound more and more palpably in the poet’s work, his feminine ideal also underwent changes: now, first of all, it is associated not with the hope of understanding and inspiration, not with spiritual impulses, but with ideas about the sensual joys of life : “Yes, I liked the girl in white, but now I love the girl in blue...”
This period of Yesenin’s creativity is marked by maximalism in the manifestation of feelings. Spontaneous rudeness in expressing emotions is replaced by equally spontaneous repentance. Such features are characteristic, for example, of the cycle of poems “Moscow Tavern”. However, they do not indicate that the ideal of love in Yesenin’s poetry was completely lost by this time. It seems to me that the poet’s ideas about this ideal were associated exclusively with youth, when even unrequited love fills the soul with light. Yesenin mentions this in his late poem “Anna Snegina”.
It is precisely because of its fleetingness and uniqueness that youthful feeling is valuable for Yesenin. He carried the memory of him through his short but full of turbulent life. And today the poet’s poems about first love warm us with the reflected light of his feelings.

Municipal educational institution "Gymnasium "Dmitrov""
School conference of students’ creative works “Promising Project”

Topic: The theme of love in the lyrics of Sergei Aleksandrovich Yesenin.

The work was completed by: a student of grade 9 “B”

Chizhova Marina Vladimirovna.

Scientific adviser:

teacher of Russian language and literature

Khmelevskaya Svetlana Anatolevna

Dmitrov, 2016

Target:

Study the life and work of S.A. Yesenin and reveal the theme of love in the poet’s lyrics.

Tasks:

Study the literature related to the biography of S.A. Yesenina.

Systematize knowledge on the topic “Love in Yesenin’s lyrics.”

Develop skills in analyzing a lyric work.

To captivate listeners with the work of S.A. Yesenina.

Relevance of the topic:

Love lyrics are present in the works of many poets and writers.

The theme of love is relevant at all times.

Content

Love for mother

Love for our little brothers

Love for nature

Love for a woman

Page 8

4. Research, survey results

high school students.

Page 17

5. Conclusions.

Page 18

6. List of references.

Page 19

7. Application.

Page 23

My dreams go into the distance

Where screams and sobs are heard,

To share someone else's sadness

And the pangs of severe suffering.

I can find myself there

Joy in life, rapture,

And there, contrary to fate,

I will look for inspiration.

S.A. Yesenin.

When creating my project, I took this epigraph as a basis. Sergei Alexandrovich Yesenin became an inspiration for me. Thanks to his work, I discovered my poetic talent.

Why did I choose this topic?

Sergei Alexandrovich Yesenin is one of the great Russian poets. His work is unusual and varied. His lyrics contain the basic moral values ​​of man (love, freedom, homeland, nature, family).

Secondly, at the beginning of the school year, my literature teacher S.A. Khmelevskaya. reported that in connection with the Year of Literature in Russia, a competition is being announced to write essays dedicated to poets and writers celebrating their anniversaries. I had to write an essay on one of the proposed topics. I chose a topic dedicated to Yesenin’s lyrics. In my essay, I naturally touched on the topic of love.

Thirdly, studying the creativity of S.A. Yesenin, I was inspired by his poems about love and discovered a new talent in myself - as a poet.

Fourth, I love S.A. Yesenin and his work. He is my favorite poet.

His works taught me a lot, and therefore I could not help but take his work for detailed study and in the future for writing a project.

Life and work of the poet.

Sergei Aleksandrovich Yesenin was born on October 3, 1895 in the village of Konstantinovo, Ryazan province.

In 1904, Yesenin went to the Konstantinovsky Zemstvo School, after which in 1909 he began his studies at the parish second-grade teacher’s school in Spas-Klepiki. After graduating from school, in the fall of 1912, Yesenin left home, then arrived in Moscow, worked in a butcher shop, and then in the printing house of I. D. Sytin. In 1913, he entered the historical and philosophical department of the Moscow City People's University named after A.L. Shanyavsky as a volunteer student. He worked in a printing house and was friends with the poets of the Surikov literary and musical circle.

In 1914, Yesenin's poems were first published in the children's magazine Mirok.

In 1915, Yesenin moved from Moscow to Petrograd, read his poems to A. A. Blok, S. M. Gorodetsky and other poets. In January 1916, Yesenin was drafted into the war. At this time, he became close to the group of “new peasant poets” and published the first collections (“Radunitsa” - 1916), which made him very famous. Together with Nikolai Klyuev he often performed, including before Empress Alexandra Feodorovna and her daughters in Tsarskoe Selo.

In 1915-1917, Yesenin maintained friendly relations with the poet Leonid Kannegiser, who later killed the chairman of the Petrograd Cheka, Uritsky. Yesenin's acquaintance with Anatoly Mariengof and his active participation in the Moscow group of imagists dates back to 1918 - early 1920s. During the period of Yesenin’s passion for imagism, several collections of the poet’s poems were published - “Treryadnitsa”, “Confession of a Hooligan” (both 1921), “Poems of a Brawler” (1923), “Moscow Tavern” (1924), the poem “Pugachev”.

In 1921, the poet, together with his friend Yakov Blumkin, traveled to Central Asia, visited the Urals and the Orenburg region. From May 13 to June 3, he stayed in Tashkent with his friend and poet Alexander Shiryaevets. There Yesenin spoke to the public several times, read poems at poetry evenings and in the houses of his Tashkent friends. According to eyewitnesses, Yesenin loved to visit the old city, teahouses of the old city and Urda, listen to Uzbek poetry, music and songs, and visit the picturesque surroundings of Tashkent with his friends.

In the fall of 1921, in the workshop of G. B. Yakulov, Yesenin met the dancer Isadora Duncan, whom he married six months later. After the wedding, Yesenin and Duncan traveled to Europe (Germany, France, Belgium, Italy) and to the USA (4 months), where he stayed from May 1922 to August 1923. The Izvestia newspaper published Yesenin’s notes about America “Iron Mirgorod”. The marriage to Duncan ended shortly after their return from abroad.

In the early 1920s, Yesenin was actively involved in book publishing activities, as well as selling books in a bookstore he rented on Bolshaya Nikitskaya, which occupied almost all of the poet’s time. In the last years of his life, Yesenin traveled a lot around the country. He visited the Caucasus three times, went to Leningrad several times, and Konstantinovo seven times.

In 1924-1925, Yesenin visited Azerbaijan, published a collection of poems in the Krasny Vostok printing house, and was published in a local publishing house. There is a version that here, in May 1925, the poetic “Message to the Evangelist Demyan” was written.

In 1924, Yesenin decided to break with imagism due to disagreements with A. B. Mariengof. Yesenin and Ivan Gruzinov published an open letter about the dissolution of the group.

Sharply critical articles about him began to appear in newspapers, accusing him of drunkenness, rowdy behavior, fights and other antisocial behavior, although the poet, with his behavior (especially in the last years of his life), sometimes himself gave grounds for this kind of criticism.

At the end of November 1925, Sofya Tolstaya agreed with the director of the paid psychoneurological clinic of Moscow University, Professor P. B. Gannushkin, about the poet’s hospitalization in his clinic. Only a few people close to the poet knew about this. On December 21, 1925, Yesenin left the clinic, canceled all powers of attorney at the State Publishing House, withdrew almost all the money from the savings book and a day later left for Leningrad, where he stayed at No. 5 of the Angleterre Hotel.

In Leningrad, the last days of Yesenin’s life were marked by meetings with N. A. Klyuev, G. F. Ustinov, Ivan Pribludny, V. I. Erlikh, I. I. Sadofyev, N. N. Nikitin and other writers.

The theme of love in the lyrics of S.A. Yesenin.

Sergei Yesenin... For the umpteenth time I am re-reading his poems. And once again, closing the book, as if for the first time, I was impressed by what I read for a long time. No - from something felt, experienced with all my heart! A whirlpool of feelings beckons, enchants, takes you to unknown magical distances, where tenderness, sadness, delight, joy, regret, bright sadness, a beautiful dream reign... And - always - love. Love in all its manifestations - for the mother, for the homeland, for the animal and plant world, for nature, for women. Love, which has become the main theme of all Yesenin’s work, excites the hearts of readers. Each of us understands and is close to Yesenin’s lines of reflection on the passing of youth, on the discord between feeling and reason, on moral purification, on the contradictions of love. This list can be continued indefinitely - after all, the poet wrote about the most intimate, about what every person has experienced at least once in his life.

Therefore, it seems that he wrote about us - about everyone and at the same time about you, the only one, so similar and so unlike the others. The poet's love... In Yesenin it is beautiful and sublime, bright and tragic, illuminated by hope, sincerity, passion, purity, faith. From the very first lines, born in an ardent young heart.

Love for mother.

The image of the mother begins to appear most clearly in Yesenin in the last years of his work. Disillusioned with a number of his own beliefs and ideals, the poet turns to the image of his mother and home as the only refuge for a person in the gloomy world of harsh reality. It is here that the hero of his works seeks peace and harmony. Researchers note that in Yesenin’s poems of recent years, the motif of the prodigal son is increasingly heard, who, having wandered around foreign lands to his heart’s content and suffered enough grief, is looking for a native place where he can be accepted and his spiritual wounds can be healed. Some readers are convinced that the poet intuitively foresaw his imminent death and unconsciously sought protection from the only woman who would always be responsive to him, merciful and would take him under her wing, hiding him from adversity.

"Letter to Mother."

The poem “Letter to Mother” was written in 1924. This is one of the program works of Sergei Yesenin. It's a comeback theme.

In 1924, Yesenin managed to visit his native village. After many years of separation, he finally met his mother and beloved sisters. This meeting could not help but be expressed in poetry, because Sergei Yesenin’s lyrics are distinguished by the unity of their problematics. All of his work is focused on depicting the dramatic fate of an individual at a turning point, presenting a kind of lyrical novel, the plot of which the poet made his biography, turning it into the story of “the poet Sergei Yesenin.”

The poem “Letter to Mother” is written in the epistle genre. This genre was widely used in Russian classical literature, but never has this genre been so tenderly and simply expressed. But the most important thing is that messages have never been so similar to a real letter. This is explained by the fact that this poem is addressed to the dearest person himself, therefore the entire work is written in a very confidential manner. Precisely and correctly selected vocabulary helps the poet create a special mood.

So they introduced into the poemvernacular:

They write to me that you, harboring anxiety,

She was very sad about me,

That you often go on the road

In an old-fashioned dilapidated shushun...

Or in another quatrain: “This is only a painful nonsense.”

Yesenin also easily and naturally usesvulgarismsAndjargon, which suggests that both that and this vocabulary are familiar to the poet:

It's like someone is in a tavern fight with me

A Finnish knife was stabbed under the heart...

I’m not such a bitter drinker...

As already mentioned, the poem is written in a confidential manner, and it is characterized byforms of conversational syntax:

Are you still alive, my old lady?

I'm alive too. Hello, hello!

Present hereappeals: “Are you still alive, my old lady?”; calls: “...nothing, dear! Calm down"; exclamations: “...and don’t teach me to pray. No need!".

The “random” choice of words, as well as these syntactic devices, create the impression of an unsophisticated conversation. And when the hero talks about the house or remembers the apple orchard, the poem appearsmetaphorical personification:

I'll be back when the branches spread out

Our white garden looks like spring.

Epithets:

Let it flow under your hut

That evening unspeakable light...

At the same time, the poem containssyntaxAndphraseologyhigh book style:

There is no going back to the old ways anymore.

You alone are my help and joy,

You alone are an unspeakable light to me.

Thanks to the interruptions of two stylistic plans, an intimate conversation becomes a tense lyrical monologue, an everyday fact acquires general meaning, simple human values ​​grow into symbols of the lofty and beautiful. Anaphoric repetition (“you’re the only one for me...”) enhances the expression of the entire phrase, which sounds even more sad.

The poem “Letter to a Mother” expresses the hope that overcoming soul-tearing contradictions is possible through contact with primordial, eternal shrines: the father’s house, mother’s love, the beauty of nature.

I'm still as gentle

And I only dream about

So that rather from rebellious melancholy

Return to our low house.

But the poem also sounds an alarming note: the hope of the lyrical hero is untenable. The reason for this is he himself, who has lost the ability to control his destiny:

Too early loss and fatigue

I had the opportunity to experience in my life...

There is a hint here that big and not always pleasant events took place in the poet’s life. Life, apparently, did not turn out the way I wanted. Hence the pain and bitterness expressed in the following lines:

Don't wake up what was noted

Don't worry about what didn't come true...

And the poet’s phrase - “there is no longer a return to the old” - sounds like the final chord of youth and dreams.

The lyrical hero of the poem “Letter to a Mother” captivates us with that side of his nature, which he himself called “tenderness.” It is much easier to talk about loving humanity than to be sensitive to the people around you (parents, sisters, brothers, friends...). And how often we are callous towards those closest to us, especially our parents.

Love for nature.

Most of Yesenin's works are dedicated to Russia.

From a young age, Russia, its sad and free songs, bright sadness, rural silence, girlish laughter, the grief of mothers who lost their sons in the war, sank into Yesenin’s heart from a young age. All this is in Yesenin’s poems, each line of which is warmed by a feeling of boundless love for the homeland. “My poetry is rich in one love - love for the Motherland. This is its leading theme, which fuels all my creativity,” said Yesenin.

No matter what the poet wrote about, even in the most difficult moments of loneliness, the bright image of his homeland warmed his soul. As a real poet, Yesenin declared himself from the very first poems.

“It’s already evening. Dew…".

Sergei Yesenin began writing poetry very early, and his maternal grandmother supported him in this. Therefore, it is not surprising that at the age of 15 he had already turned into a real poet, sensitive to the beauty of the world around him and able to convey it in words.

Simple landscape sketches, filled with tenderness and warmth, were found among Yesenin’s papers after his tragic death. The poet tried to publish some of his poems during his lifetime, but few of the editors of literary magazines at that time wanted to get involved with the teenager. Meanwhile, the poem “It’s already evening. Rosa...", written in 1910. It was written in Konstantinovo several years before Yesenin moved to Moscow. He did not dream of fame and success, he simply conveyed in words what he saw and felt. As a result, the most ordinary evening in the village went down in the history of Russian literature as an example of magnificent landscape lyricism, simple and devoid of pomposity.

The author talks about how he stands near a country road, “leaning against a willow tree,” and watches how the first drops of dew appear on the nettle leaves, and the light from the rising moon falls on the roof of the house. “Somewhere in the distance I hear the song of a nightingale,” the poet notes, and this phrase seems to breathe life into the peaceful picture he painted so skillfully and easily. Yesenin compares birch trees with large candles and notes that on this summer evening he feels warm and comfortable, as if he were on a rural stove. The world is plunged into sweet dreams, and even the wind does not disturb this harmony, which only nature can create. Continuing to listen to the sounds of the night, the poet hears how somewhere across the river “a sleepy watchman is knocking with a dead mallet,” scaring away uninvited guests.

This simple picture of rural life emanates calm and serenity, but the poet does not yet suspect that very soon he will dream of returning to the past. It will elude Yesenin with amazing speed, erasing his favorite images and memories. Only a few poems written in adolescence will become a kind of connecting link between the young poet and the famous Yesenin, the “singer of the village,” a drunkard and a rowdy. However, few people realized that in his soul, until his death, this man remained a defenseless teenager who knew how to see beauty in the sunset and drops of dew on the leaves of stinging nettles.

Love for our little brothers.

The figurative world of S. Yesenin’s lyrics is built on zoological metaphors, which is one of the features of his work.

It is worth noting that most of S. Yesenin’s poems related to animals end tragically. This is one of the features of Yesenin’s philosophical motifs that permeate all his lyrics, the main idea of ​​which is the frailty and finitude of everything earthly.

"Fox" .

The fauna of S. Yesenin is part of nature, living, animate, intelligent. His birds and animals behave naturally and reliably, the poet knows their voices, habits, habits. They are dumb, but not insensitive, and in terms of the strength of their feelings and experiences they are not inferior to humans. All of S. Yesenin’s poems about animals are plot-based; they reveal the image of the animal in situations that are dramatic for its fate. In the poem “Fox” Yesenin shows the ruthless attitude of people towards animals. The description of the shot fox sounds piercing:

The yellow tail fell like a fire in the snowstorm,

On the lips - like rotten carrots.

It smelled of frost and clay fumes,

And blood was seeping quietly into my eyes.

Yesenin, as it were, humanizes the main characters in his poems; they feel pain and sadness, like humans. Their strength is gone, there is no longer any hope of surviving or getting their children back.

Yesenin’s best poems about animals: “Cow”, “Song of the Dog”, “Fox” - are tragic, but at the same time there is no lyrical observer in them, from the outside, humanly experiencing the tragedy of a tortured creature (unlike Nekrasov, who endows animals with such humane -compassionate epithets such as “poor”, “heartfelt”, “wretched”, “unfortunate”). Yesenin’s tragedy is conveyed through the worldview of the animals themselves, which for the first time in Russian animalistic poetry is expressed in “improperly direct” forms of expression - as if the character himself were speaking in the author’s words: “The forest swamp swayed in the eyes... The wet evening was sticky and red” - conveyed from within the worldview of a wounded fox, for whom the whole world is drenched in her own blood, trembles with her trembling.

The shot kept shining through the prickly smoke,

The forest swamp swayed before my eyes.

From the bushes a shaggy wind whipped up

And scattered a ringing shot.

The animal, while retaining objective, natural features, for the first time becomes an unconditional and full-fledged lyrical object. Moreover, the tragedy of animals in Yesenin does not come down to experiencing their own pain - their world is expanded and warmed by compassion for the cubs. This emphasizes the transition to the animals themselves of that lyrical point of view, which previously belonged exclusively to the hero-observer, who humanly sympathized with their troubles.

Love for a woman.

Love lyrics occupy a significant place in the poetry of S. A. Yesenin. His poems reflect the poet’s varied experiences - the joy of meeting his beloved, melancholy in separation, sadness, despair.

Yesenin was very loved by women, but the poet’s intimate lyrics are often tinged with tragedy. Yesenin’s book “Moscow Tavern” includes two cycles: “Moscow Tavern” and “Love of a Hooligan.” They do not describe love in a high sense, but feelings characteristic of teenagers, when a woman attracts and irritates at the same time. In youthful immaturity, hysterical intonations appear.

Many of Yesenin's love poems are dedicated to specific women. For example, the cycle “Love of a Hooligan” is dedicated to the Chamber Theater actress Augusta Leonardovna Miklashevskaya, and the poems “Letter to a Woman”, “Letter from a Mother”, “Kachalov’s Dog” talk about the poet’s complex relationship with his most beloved woman - his first wife Zinaida Nikolaevna Reich , and the poem “Well, kiss me, kiss me” is dedicated to Sofya Andreevna Tolstoy.

“Well, kiss me, kiss me.”

Sergei Yesenin was officially married three times, and each of his marriages, according to the poet, turned out to be unsuccessful. However, he dedicated many delightful, tender and passionate poems to his beloved women. Among them is the work “Well, kiss me, kiss ...”, created in 1925. There were a little more than 8 months left before the tragic death of the poet.

The last period of Yesenin’s life is inextricably linked with the name of Sofia Tolstoy, who became the poet’s last wife. This union was doomed from the very beginning, since Yesenin did not experience particularly deep feelings for his chosen one. By and large, he didn’t care with whom he would go down the aisle again, and the poet agreed to the marriage only out of respect for his new passion, who was sincerely in love with him. Sophia, raised in an intelligent family and the granddaughter of Leo Tolstoy, was distinguished by her reserved disposition and chastity. These qualities irritated Yesenin, who was always impressed by passionate and temperamental women. Therefore, in a poem dedicated to his wife, he notes: “The boiling water of the heart’s currents is not in harmony with the cold will.” This phrase contains a hint that these two people are completely unsuited to each other, and one can only guess what might connect them in ordinary life.

The age difference between Yesenin and Tolstoy was insignificant, amounting to only 5 years, but it seemed that the poet lived a whole life longer than his chosen one. Therefore, addressing her in the poem, he allows himself a mentoring tone, noting: “Understand, my friend, you live on earth only once!” It should be noted that at the moment when this work was created, Yesenin and Tolstaya were not yet officially married. Moreover, the author did not even think about marriage. But it is obvious that the poet guessed about his imminent death, and therefore gave the world the following lines: “Destruction sang a song to me too.” It was during this period that Yesenin especially acutely senses how fleeting life is, and understands that it can end at any moment.

Therefore, he wants to get everything he can from her, declaring: “Until the end of my darling’s lips, I would like to kiss.” The poet hopes that he will find understanding on the part of his chosen one, who is really ready to sacrifice her own principles and forget about good manners for his sake. “Drink and sing, my friend,” Yesenin asks her, knowing full well that such moments of unbridled fun in his life are becoming increasingly rare and short-lived. And very soon the period will come when there will be no one to brighten up the poet’s loneliness.

Practical part.

One of the main goals of my project was to find out what students in grades 9-10 know about the life and work of S.A. Yesenina.

I conducted a survey in which I asked students 5 questions:

1. Where was S.A. born? Yesenin?

2. What date associated with Yesenin did Russia celebrate in 2015?

3. Name 3-5 poems by S.A. Yesenin, which you know by heart.

4. What topics did Yesenin touch on in his work?

5. What is your favorite poem by S.A. Yesenin?

During the analysis process, I came to the following conclusions:

28% of students in grades 9-10 know where S.A. was born. Yesenin.

74% of students in grades 9-10 know the date associated with Yesenin, which Russia celebrated in 2015.

37% of students know the poem “Birch” by heart, 15% - “Letter to a Woman”, 14% - “Go away, Rus', my dear ...”, 14% - “You don’t love me, don’t regret me”, 12% - “ Letter to Mother,” 7% — “I don’t regret, I don’t call, I don’t cry…”, 7% — “Cheryomukha.”

Also mentioned were such poems as “Cow”, “A Blue Fire Has Swept Up”, “Blizzard”, “Autumn”, “Well, Kiss Me, Kiss”, “Swan”, “Powder”.

36% of students said that Yesenin touched on the theme of love in his work, 33% mentioned the theme of nature, 23% - the fatherland, 7% - loneliness, 1% - freedom.

I was very interested to find out what the favorite poems are among students in grades 9-10. Most students mentioned works such as “Birch Tree” and “Letter to a Woman.”

Conclusions.

Sergei Yesenin, probably more than other poets, strived with his soul for goodness and love. That’s why this love, these feelings illuminate all his work so brightly, so warmly.

It is impossible to display the entirety of Sergei Yesenin’s creativity in one project. For example, on the topic of love for the Motherland in Yesenin’s poems, you can create a separate project. In his poetry, the Motherland sounds not only like Russia, but also like the place where you were born. Maybe that’s why he is close to every Russian person, be it a Muscovite, a Siberian or a Sochi resident, and for this closeness we call him a national poet.

The work of Sergei Aleksandrovich Yesenin inspired me to write my own poems. In the future, I would like to publish my collection of poems and write a book.

Bibliography:

https://yandex.r u/images/search? text=Sergey%20es enin

https://ru.wikip edia.org/wiki/Es enin,_Sergey_Ale xandrovich

http://rupoem.ru /esenin/all.aspx

Biography of the writer. Sergey Yesenin. I.S. Events. Moscow "Enlightenment" 1987.

Sergei Yesenin “You are my fallen maple...”. Decor.OOO"Eksmo Publishing House", 2015.

In Yesenin's homeland. S. Vasiliev, N. Goncharova. Moscow - 1976.

In the homeland of S.A. Yesenina. Series “memory of the place of the USSR”. "Planet", Moscow, 1985.

Clippings from the newspaper “Komsomolskaya Pravda”, 1975 – 1999.

Composition.

Hello, Svetlana Anatolyevna!

I am writing you a letter to tell you about my favorite poet, who turned one hundred and twenty this year. I'm talking about the great poet Sergei Alexandrovich Yesenin.

During his short life he wrote many poems. In his poems, Yesenin expressed his love for all living things, life, his homeland and women.

I want to dedicate my letter to the theme of love in Yesenin’s lyrics. In his poems, the poet conveys various experiences associated with this feeling: the joy of meeting, the melancholy of separation, love impulses, the sadness of doubt, despair. Already in early lyric poetry, rich imagery and varied intonations served to glorify the beauty of bright feelings. The poet perceives love as a miracle: “Whoever invented your flexible figure and shoulders put his lips to the bright secret.” The poet was very loved by women, but the lyrics were tinged with tragedy.

Yesenin, who dreamed of a high feeling, of spiritual intimacy, shows only passion in his works. Such love does not enlighten, but devastates a person. Many of Yesenin's love poems are dedicated to specific women. For example, the cycle “Love of a Hooligan” is dedicated to the actress of the Chamber Theater, and the poems “Letter to a Woman” and “Letter from Mother” talk about the poet’s complex relationship with his most beloved woman - his first wife:

You remember, you all remember, of course,

How I stood, approaching the wall,

You walked around the room excitedly

And they threw something sharp at my face.

In the last year of his life, Yesenin created poems about love, in which he condemns lies in human relationships, writes with sadness about hearts that have grown cold, unable to give people love. These poems are very tragic. He considers himself no longer capable of loving, this is a fair retribution for the indiscriminateness of feelings. The only hope is that the woman he loves will remember him at least someday. In the poem “You don’t love me, you don’t regret me...” he writes:

He who loved cannot love,

You can't set fire to someone who's burned out.

Yesenin's hero goes from an enthusiastic perception of love, admiration for female beauty to the thought of the impossibility of harmonious relationships between two people.

One of my favorite poems by Yesenin, “Well, kiss me, kiss me”:

Well, kiss me, kiss me,

Even to the point of bleeding, even to pain.

At odds with cold will

Boiling water of heart streams.

Thanks to this poem, I wrote my own:

I can't look away.

Your scarlet lips left marks on my cheeks,

And your gray eyes intoxicated me more than once,

Of course, my poem is not the same as Yesenin’s, but my attitude to love is the same as his.

Now I understand why women loved him so much. They loved him not only for his beauty and charisma, but also for his ability to write beautiful poems. They not only make your soul happy, they give you a lot to think about and, most importantly, they leave marks on your heart.

And at the end of my letter, I want to tell you about how I became acquainted and continue to become acquainted with the work of this great and irreplaceable poet.

It all started when, at one of the family holidays, my grandmother read the poem “You are mine, Shagane!..”. It interested me. I immediately started looking for him. Having found it, I realized that it was incredible and the person who wrote it had great talent. Later I studied Yesenin’s biography. I was very sad when I found out that he lived only thirty years. And this year they gave me a collection of his works, which I read on the first day. Now, when I feel bad and sad at heart, I read and learn his poems.

Sergei Aleksandrovich Yesenin completely changed my attitude towards love. Even though his poems are masculine, I see myself in them. For me, he will remain my most favorite poet, because he changed me.

I fell in love with you without memory,

She couldn't look away.

Your scarlet lips left marks on my cheeks.

And I was embarrassed every time we met.

I remember that red rose you gave.

And your carefree smile that you gave me.

How I want to confess my wonderful feelings for you,

But I cannot confess, and it will die within me.

Application

Http://pishi-sti hi.ru/pismo-mate ri-esenin.html

This work is an abstract prepared by a student of DITI NRNU MEPhI Fatkhutdinov M., under the guidance of Babenko S.B., teacher of Russian language and literature, for participation in a scientific and practical conference.

Essay

“Many women loved me, and I myself loved more than one”

(the theme of love in the works of S. Yesenin)

Completed:

Student Fatkhutdinov Marat

Student DITI NRNU MEPhI group 131

Dimitrovgrad,

2012

Introduction

"Many women have loved me,

And I myself have loved more than one."

Yesenin’s poetry, like his short life, amazes with its sincerity, heightened melancholy of feelings, which told about what darkened, worried, and delighted his soul.

The theme of love permeates the work of any poet, musician, artist. Sometimes it seems that everything has already been said, however, everyone finds a new, their own sound, because love is an intimate feeling, and everyone loves in their own way, so this theme in art is eternal.

In the work of S. Yesenin, the theme of love is heard in the earliest poems. First, these are works of a folklore and poetic nature, for example, “Imitation of a Song,” written in 1910: “I wanted to tear a kiss from your scarlet lips with pain in the flickering of foamy streams.” The poem is similar to a folk lyrical song.

Later, motifs appear in love lyrics that merge the poetry of love with the poetry of nature, conveying the sublime spirituality of feeling and its chastity

A completely different “love” appears in “Moscow Tavern”. The beginning of the 20s was a time of spiritual crisis for the poet, rushing between old and new Russia, feeling his uselessness. He sought solace in drunkenness and debauchery. It seems that he is not capable of a bright feeling. In “Letter to a Woman” Yesenin admits:And I bent over the glass, so that, without suffering for anyone,
Ruin yourself in a drunken stupor...

He now sees love not as a wonderful, bright feeling, but as a misfortune, a whirlpool: “I didn’t know that love was an infection, I didn’t know that love was a plague.” This disappointment gives rise to cynical, vulgar, rude lines: “Rash, harmonica. Boredom... Boredom... The accordion player's fingers flow in waves. Drink with me, you lousy bitch, Drink with me. They loved you, they tortured you - Unbearable.” This is the first time such disrespectful attitude towards women appears in his work. The words of insult are addressed to all women: “pack of dogs.” However, at the end the hero sheds sentimental tears and asks for forgiveness: “Darling, I’m crying. //Sorry Sorry...". The hero still tries to seek consolation in love, with love he tries to heal bleeding spiritual wounds.

Love for a woman cannot drown out another feeling - love for one’s native land, longing for one’s homeland. The poems of the last period of creativity are full of contempt for the insincerity of relationships, rejection of female cunning, the poet condemns “frivolous, deceitful and empty women.” Yesenin always dreamed of pure love that elevates a person, and in recent years in his work he has glorified the ideal of a joyful, bright feeling. “Leaves are falling, leaves are falling...” - a poem written by a man tired of the blows of fate, a man looking for a safe haven: “I would now like to see a good girl under the window.” Only such a real feeling can calm the “heart and chest.”

The poet's love lyrics captured the whole gamut of human feelings. Like all his work, it is autobiographical and truthful, it reveals the personality of the poet, his soul. Yesenin's love lyrics, according to N. Rylenkov, are able to quench the “thirst for human tenderness.” Each reader finds in his poems his own vision of love, because “everyone in the world sings and repeats the Song of Love.”

You can tell a lot about those women with whom fate brought him together. Each of them uniquely, in its own way, came into contact with the love and friendship of the poet.

Sardanovskaya Anna Alekseevna

P Sergei Yesenin's first love was Anyuta Sardanovskaya, the granddaughter of a priest, Yesenin studied with her at the diocesan school, she wassister of the poet's childhood friend. Youthful love. He will write about it later.

At fifteen
I fell in love to bits
And I thought sweetly
I'll just be alone,
What am I on this
The best of the girls
When I reach age, I will get married.

A wonderful time of half-adolescence, half-youth! Wonderful long summer evenings, endless winter nights, when the soul boils, conversations, Attraction and repulsion, bashful and therefore even hotter and uncontrollable love. Anna Sardanovskaya! Anna Sardanovskaya! Her name

an already famous poet will take it for his best poem. And then -

overwhelmed by feelings, joy and doubt - and lines, lines,

lines... (The poem “Beyond the Yellow Mountains” is dedicated to Anna

distances." Others have not survived.). And a premonition of the future, and sweet

the weight of the calling, and the growing call of fate - everything, everything merged,

Anna Sardanovskaya concentrated in these two words.

Once upon a time at that gate over there

I was sixteen years old

And a girl in a white cape

She told me affectionately: “No!”

They were distant and dear!..

That image has not faded away in me.

We all loved during these years,

But that means they loved us too.

The relationship between Yesenin and Anna did not work out; Anna married someone else and died in childbirth. Yesenin had many women, but he always remembered his first love and towards the end of his life he wrote the poem “Anna Snegina”. “Anna Snegina” is a heartfelt memory of Anna Sardanovskaya.

TO Ashina Lidiya Ivanovna

The image of Anna Snegina also embodied the features of the landowner Lydia Kashina, with whom the poet was infatuated. The poet often visited Kashina’s house. Lidia Ivanovna was a young, interesting, educated woman.History confirms: the young poet, already famous throughout Moscow, came to the “house with a mezzanine” at the invitation of Lydia Kashina herself - she was interested in his work and asked to read poetry. Anna Andreevna remembered this visit well. That day it was frosty and sunny, a young snow fell. Sergei, as it seemed to Stupenkova, crossed the threshold not without timidity and curiosity. “It was as if he had ascended to an altar,” recalled Anna Andreevna.
In the poem, Yesenin talks about this meeting differently:
There was such a modest boy,
And now...
Come on...
Here.
Writer…
Famous big shot...
He won’t come to us without asking.

The poet dedicated the poem “Green Hairstyle” to her.In the poem “The green, fragile girl is compared to a thin birch tree peering into a pond, her braids are compared to branches tidied up with a moon comb. The birch girl reveals the “secret of ... tree thoughts”, talks about the shepherd who comes to her “on a starry night”. This is the first feeling of a girl inexperienced in love pleasures. In the spirit of chastity, Yesenin planned to publish the book “Poems about Love”, but this cycle was never realized.

Green hairstyle,

Girlish breasts,

O thin birch tree,

Why did you look into the pond?

Open up, tell me the secret

of your woody thoughts,

I fell in love - sad

Your pre-autumn noise.

In the draft of this poem the following line was preserved: “ Farewell my bride until new cranes" The one to whom this line was dedicated could not be Yesenin’s bride. But the intonation and frankness involuntarily push one to identify the lyrical hero with the author himself, and the tremulous birch tree with the young woman who inspired the poet - Lydia Ivanovna Kashina.

AND Zryadnova Anna Romanovna

In 1912, Sergei Yesenin, at the age of 17, came to conquer Moscow. Considering himself a poet, Yesenin refused to work with his father in a butcher shop as a clerk and chose a place with a tiny salary in a printing house, hoping to print his poems here. In the proofreading room, none of the employees recognize him as a poet (of course, they are preparing works of great Russian poets for publication!), and the editors of newspapers and magazines, where the young man shows his poems, refuse to publish them. Only student Anya, Anna Izryadnova, who also served as a proofreader for Sytin, was able to see a real poet in a boy who was four years younger than her. How she understood him! How she loved him! On weekends they go to classes together at Shanyavsky University and talk a lot about poetry and literature. After work, Yesenin accompanies Anna to the house on 2nd Pavlovsky Lane, and then returns to Serpukhovka, where he lives with his father in a small room.

Anna became his first woman. Sergei felt like a grown man, a husband. For Yesenin, this period became the most abundant in his work. He wrote 70 beautiful poems. It was from this time that he established himself as a poet. Undoubtedly, his creative growth was facilitated by living in Moscow, communicating with writers and publishers, studying at Shanyavsky University, working in a proofreading room, but most importantly, his love for Anna. This combination of talent and love in the poet’s life should be considered the “Izryadnovsky” period. And it is no coincidence that the main lines appeared at this time:

If the Holy Army shouts:

"Throw away Rus', live in paradise!"

I will say: “There is no need for heaven.

Give me my homeland."

On March 21, 1914, Anna became pregnant and for several months carefully hid her pregnancy from everyone. Time passed. In the sixth month, Anna could no longer hide her pregnancy from her family. The news of an extramarital relationship and the expectation of a child was difficult to accept in the Izryadnov family. Anna was forced to leave. She rented a room near the Serpukhov outpost and began to live together with Yesenin.

The fences sleep quietly in the fog.

Don't be sad, my white house,

That again we are alone and alone.

Cleans the month in the thatched roof

Blue-rimmed horns.

I didn’t follow her and didn’t go out

Escort behind the blind haystacks.

I know that the years will drown out the anxiety.

This pain, like the years, will pass.

And lips and innocent soul

She saves for others.

The one who asks for joy is not strong,

Only the proud live in strength.

And the other will wear out and abandon,

Like a clamp eaten away by raw materials.

Work, home, family, Anna is expecting a child, and she doesn’t have enough energy and time for poetry. For inspiration, Sergei leaves for Crimea. One. I returned full of impressions and inspiration. He quit his job and wrote poetry all day. Anna did not contradict and did not demand anything from him. I just loved it. It was so convenient for him. In December 1914, Yesenin took his wife to the maternity hospital. I was terribly proud when my son was born. By the time Anna returned from the hospital, he had cleaned the room to a shine and prepared dinner. The 19-year-old father peered in surprise at his son’s tiny face, looking for his own features in it, and could not stop admiring it. He named the baby George, Yurochka.
In her memoirs, Anna Romanovna wrote:

At the end of December my son was born. Yesenin had to fuss a lot with me (we lived only together). It was necessary to send me to the hospital to take care of the apartment. When I returned home, he had an exemplary order: everywhere was washed, the stoves were heated, and even dinner was ready and cake was bought, waiting. He looked at the child with curiosity, and kept repeating: “Here I am the father.” Then he soon got used to it, fell in love with him, rocked him, lulled him to sleep, sang songs over him. He made me rock me to sleep and sing: “Sing him more songs.” In March 1915 he went to Petrograd to seek his fortune. In May of the same year I came to Moscow, a different person. I spent a little time in Moscow, went to the village, wrote good letters. In the fall I stopped by: “I’m going to Petrograd.” He called me with him... He immediately said: “I’ll be back soon, I won’t live there for long.”

But Yesenin did not return to Anna. He was received enthusiastically in the capital. Soon the first book of poems was published. There was a severe world war going on. The poet was drafted into the army. He served on an ambulance train, delivering wounded from the front. Then the February Revolution occurred. The poet deserted from Kerensky's army. In the summer of 1917, with his friend, the poet Alexei Ganin, he decided to leave for the provinces. The poet was nineteen years old when he arrived in Moscow. There he met Anna Izryadnova. He found a kindred spirit in her. They spent their days together, he read his poems to her first, and in the evenings he accompanied her on foot across all of Moscow. Anna sheltered Yesenin with her, became his common-law wife and in 1914 gave birth to his son Yuri. Yesenin loved his son very much; Anna was the only person he trusted infinitely.

Her memory was sacred. He came to her to burn manuscripts, he came to her on the fateful day of departure for Leningrad, in December 1925, feeling that he was about to be killed, he came to say goodbye, and said: “Take care of your son.” Apparently, the poet’s heart foresaw trouble. A cruel consideration awaited his son, who was equally independent, bold in his judgments, and also wrote poetry. In 1937, he was arrested and executed after sadistic torture.

Memories of the first serious love, of a family that was so difficult and painfully created and yet did not take place, of the first-born son as the most sonorous and, at the same time, sad song, were amazingly expressed in a poem in 1916, when it was first published (in March ) called “Warm Evening”:

I know that the years will drown out the anxiety.
This pain, like the years, will pass.
And lips and innocent soul
For others she saves...
It’s not out of melancholy that I await fate,
He will viciously twist the powder.
And she will come to our land
Warm your baby.
He will take off his fur coat and untie his shawls,
Sit with me by the fire.
And he will calmly and affectionately say,
That the child looks like me.

Z Inaida Nikolaevna Reich

She was called a demonic woman who playfully destroyed the lives of two brilliant men. Who was she? The poet's muse? Leading actress of the Meyerhold theater? Or just a woman who loved and was loved?

In 1917, at the editorial office of the newspaper Delo Naroda, where Yesenin’s poems were published, the poet met the funny, lively girl Zinaida Reich. With her he goes on a journey to the North, to Solovki and Murmansk. They decide to get married, get married. They bought wedding rings, dressed the bride, there was no money for a wedding bouquet, but they were happy. The bride was beautiful, she wanted to have a family, he was in love.

At first everything was fine, we rented an apartment on Liteiny. One day they threw their wedding rings out the window and immediately rushed to look for them. With the move to Moscow, family life began to collapse. Even despite the birth of daughter Tatyana in May 1918 and son Konstantin in March 1920, family life did not work out. They divorced in 1921, Zinaida became an actress and married Meyerhold. Zinaida was the most beloved of the women close to Yesenin, and Zinaida loved Yesenin very much. Reich wrote a letter to Stalin asking him to speak honestly about the death of Sergei Yesenin. And she, like the poet’s first son, suffered a terrible fate. In 1939, she was brutally murdered in her own apartment, stabbed to death. There is no direct mention of Zinaida Nikolaevna in Yesenin’s poems, but he will write her poem after poem, one better than the other. For example, “Letter to a Woman.”

Do you remember,

You all remember, of course,

How I stood

Approaching the wall

You walked around the room excitedly

And something sharp

They threw it in my face.

You said:

It's time for us to part

What tormented you

My crazy life

That it's time for you to get down to business,

And my lot is

Darling!

You didn't love me.

You didn’t know that in the crowd of people

I was like a horse driven into soap,

Spurred by a brave rider.

You didn't know

That I'm in complete smoke,

In a life torn apart by a storm

That's why I'm tormented because I don't understand -

Where does the fate of events take us?

Face to face

You can't see the face.

The poem “The evening raised black eyebrows...”, although included by the poet in the cycle “Love of a Hooligan,” which is usually associated with the name of another woman, is still dedicated to Zinaida Nikolaevna.

Maybe tomorrow will be completely different

I will leave, healed forever.

Listen to the songs of rain and bird cherry trees,

How does a healthy person live?

I will forget the dark forces,

That they tormented me, destroying me.

The appearance is affectionate! Cute look!

The only one I won’t forget is you.

And finally, the poem “Flowers Tell Me Goodbye,” written two months before the poet’s death, is addressed again to her.

Flowers tell me goodbye

Heads bowing lower,

What I won't see forever

Her face and her father's land.

And, listening to the song in silence,

Beloved with another beloved,

Perhaps he will remember me,

Like a unique flower.

IN Olpin Nadezhda Davydovna

Nadezhda Volpin. She occupied a special place in Yesenin’s life. Remember the last lines from “Shagane...”?

“There’s a girl in the north too.

She looks an awful lot like you.

Maybe he’s thinking about me..."

This is just about her. Fate gave Yesenin friendship with a very interesting person - Nadezhda Davydovna Volpin. The same Nadenka who madly loved the poet. They often met and talked. She idolized him and appreciated his poetic gift. She gave birth to Yesenin's son Alexander, a talented mathematician, poet, who experienced exile, served time in a prison psychiatric hospital, and was expelled from the country in 1975 to the USA.

18-year-old Nadezhda Volpin met Sergei Yesenin in the fall of 1919 at the Union of Poets. At that time she was a member of the Green Workshop youth group created under the Union. They saw each other quite often in cafes where poets gathered and read their poems from the stage. One evening, when Sergei Yesenin was asked to read poetry, and he, as often happened to him, was either flirting or really didn’t want to read and refused, Nadezhda turned to him. She appealed persistently and ardently. And unexpectedly for her, he agreed. I started reading new poems...

Young Nadezhda was uniquely pretty. And it is known that the poet could not miss a single skirt. From that moment it all began. They began to meet almost every day there in a cafe or walked along the Moscow streets. Yesenin often accompanied Nadya and often came to her to drink tea.
Life at that time was difficult and hungry, the girl was forced to move from place to place. And each time the poet was surprised by the unsettled life of his friend and persistently tried to take care of her. By the way, at that time Yesenin was still legally married to Zinaida Reich, and they had two children. True, they lived apart, although the divorce was not officially formalized. What was Nadezhda to do? She became very attached to Sergei and realized that her feeling for the poet was love. Gradually, Nadezhda and Yesenin became inseparable. They were connected not only by poetry, but also by passion, which flared up one day and flared up like a fire.

B Enislavskaya Galina Arturovna

At the Vagankovskoye cemetery in Moscow, two steps from the grave of Sergei Yesenin, a small slab of white marble seems to grow out of the ground. It says: “Galina Arturovna Benislavskaya.” This is the name of love that has become stronger than death.

There is a lot that is unclear in the life of Sergei Yesenin, except, perhaps, his murder and this, albeit complex, but at the same time sincere love for him by Galina Benislavskaya...

On November 4, 1920, at the literary evening “The Trial of the Imagists,” Yesenin met Galina Benislavskaya. “This girl, smart and deep, loved Yesenin devotedly and selflessly.” She managed his literary affairs, communicated with his close friends, cared for him, loved him, was jealous, and tolerated his infidelities.

From the diary of G. Benislavskaya: “Before Sergei, I didn’t love anyone. Here I clearly understood that I can give everything: principles (not to get married), and a body (which I couldn’t even imagine until then), and not only can I, but I want this. I know that I immediately put an end to my dream of independence, and I submitted. I didn’t know that in the future I would fight this feeling and inflate in myself the slightest affection for others, just to free myself from Sergei, from this blessed and painful illness..."

People rarely love as selflessly as Galina loved. Yesenin considered her his closest friend, but did not see her as a woman. Slender, green-eyed, her braids almost reached the floor, but he didn’t notice it, he talked about his feelings for others.

Galina considered him her husband, but he told her: “Galya, you are very good, you are my closest friend, but I don’t love you...”

Yesenin's death shocked her...

After the death of her loved one, Galina “cut herself off” from all living things and lived in the past. Everything that did not concern Yesenin did not interest her. She put Sergei’s papers in order, which remained in her archive, and wrote memoirs about him. And a year later, in the same blizzard December in which her love was buried, she shot herself at his grave...

Gali's suicide note: “She committed suicide” is here; although I know that after this even more dogs will be blamed on Yesenin. But both he and I won’t care. Everything that is most precious to me is in this grave..."

She was buried next to him. People are mortal, love is immortal.The words “Faithful Galya” were inscribed on the monument.

What do you want under the burden of life?

Cursing your lot and home,

I would like a good one now

Seeing a girl under the window.

So that with her eyes

Vasilkovs,

Only me -

Not to anyone -

And with words and new feelings

Calmed my heart and chest."

A Isadora Duncan

Isadora Duncan did not speak Russian, Yesenin did not understand English. But this did not interfere with their love.

In 1921, the famous actress and world-famous dancer Isadora Duncan appeared in Russia and decided to open a dance school in Russia. She met with Yesenin in the studio of the artist Yakulov. The poet struck her imagination. Knowing a few words in Russian, she said: “Angel, angel.” Isadora Duncan and the poet fell in love with each other. Their feelings were raging, it was a great passion on both his and her part. Her fate as a mother was terrible, her children, a boy and a girl, died in a car accident, she was painfully worried about their death, and wanted to commit suicide. In 1922, Yesenin and Duncan registered their marriage and went abroad. They traveled a lot. But the poet was homesick, homesick for Russia. Isadora was 17 years older than Sergei Yesenin. She loved him madly, suffered, worried when the poet drank a lot; a year and a half of painful family life undermined the strength and health of both. Isadora turned into an elderly, heavy woman with a red, ugly face (according to Gorky’s recollections). Once in Germany, looking for her husband for three days, she found him in a tavern; he was hiding from Isadora with the poet Kusikov. Having burst into the tavern in a red chiton, with a whip, she broke the dishes there.

Many poems have been written abroad, but in these poems there is pain for those Russians who are forced to live abroad.

Here they drink again, fight and cry

Under the harmonics yellow sadness.

Cursing my failures

They remember Moscow Rus'.

Yesenin was tired of living abroad, tired of family quarrels and scandals, they returned to Russia. He was very happy to have returned to his homeland. I was happy like a child. I touched houses and trees with my hands. He assured that everything, even the sky and moon, were different from what they had there. Yesenin and Duncan break up. Yesenin wants new feelings, he wants to love again. Isadora’s life was tragically cut short; she died in 1938 while walking in a car, when her light scarf wrapped around her neck got caught in the car’s wheel and instantly suffocated her. Returning to Russia, Yesenin had to experience a lot. Homelessness, illness, drinking with friends, conflicts with imagists, provocations began against him, he had to go through slander from literary critics, persecution in the press. He had to go through denunciations, interrogations, and legal threats.

The result of Yesenin’s acquaintance with A. Duncan and their travels around Europe was the cycle “Moscow Tavern”:« The evening raised black eyebrows...”
"Everything alive has a special meta...""Yes! Now it's decided. No return...”“Darling, let’s sit next to you...”"A blue fire began to sweep..."“The world is mysterious, my ancient world...”“It makes me sad to look at you...”“I have only one fun left...”"I do not regret, do not call, do not cry...""Do not swear! Such a thing...”“Sing, sing. On the damn guitar..."“Let you be drunk by others...”“They are drinking here again, fighting and crying...”“Is it my side, my side...”“Don’t torment me with coolness...”"You're as simple as..."“This street is familiar to me...”“I won’t deceive myself...”

Let others drink you,
But I have left, I have left
Your hair is glassy smoke
And the eyes are tired in autumn.

Oh, the age of autumn! He told me
More precious than youth and summer.
I started to like you twice as much
The poet's imagination.

I never lie with my heart
And therefore to the voice of swagger
I can confidently say
That I say goodbye to hooliganism.

M Iklashevskaya Augusta Leonidovna

In the fall of 1923, fate gave Yesenin a meeting with Augusta Leonidovna Miklashevskaya, an actress of the Chamber Theater, a wonderful, gentle, beautiful woman. The poet dedicated masterpieces of love lyrics and beautiful love poems to her.

The cycle “Love of a Hooligan” is dedicated to Augusta Miklashevskaya. Love for this woman was healing for the poet’s sick and devastated soul. An inspired feeling for Miklashevskaya enlightens, elevates and inspires Yesenin to creativity, makes him believe again and in a new way in the significance of an ideal feeling. In the poem “A blue fire began to sweep…” he exclaims: “For the first time I sang about love, // For the first time I refuse to make a scandal.” The lyrical hero admits: “I stopped liking drinking and dancing // And losing my life without looking back.” He sees the meaning of his existence in looking at his beloved, “seeing the golden-brown pool of eyes,” touching her thin hand and her hair, “the color of autumn.” He tries to prove “how a bully knows how to love, how he knows how to be submissive.”

In love, in the woman he loves, the lyrical hero sees the meaning of existence: “I would follow you forever.” This is the revival of a hardened heart, the ringing song of the healed Lyra. The love line continues its development in the poem “You are as simple as everyone else,” where the portrait of the beloved appears to the lyrical hero as the stern icon face of the Mother of God.

A blue fire began to sweep,

Forgotten relatives.

For the first time I sang about love,

For the first time I refuse to make a scandal.

I was all like a neglected garden,

He was averse to women and potions.

I stopped liking drinking and dancing

And lose your life without looking back.

He sang of earthly features in the form of his beloved.

You are as simple as everyone else

Like a hundred thousand others in Russia.

Do you know the lonely dawn,

You know the blue cold of autumn.

Augusta Leonidovna recalled: “I remember how he sat on the carpet at my feet, held my hands and said: “Beautiful, beautiful... I will write poetry for you...”. According to friends, “some kind of peaceful, unusually calm Yesenin and Miklashevskaya under a thin bluish veil are a Blok spectacle. Happy friends who saw Yesenin at the time of his last love. It casts a kind of light on all subsequent lyrics of the poet.”

In 1923, Miklashevskaya and Yesenin were engaged, but it did not lead to an eternal union. Fate decreed otherwise. During one of the meetings on the street, he told her: “I’ve already lived with you all our lives.”

Sh agane

The most striking cycle of lyrical poems “Persian Motifs”, written in the Caucasus (1924–1925). In “Persian Motifs,” love is “not a sensual tremor,” not a “hot-tempered connection,” but the warmth and tenderness of Yesenin’s heart, expressed in affectionate words addressed to the oriental beauty.

Dear hands - a pair of swans -

They dive into the gold of my hair.

Everything in this world is made of people

The song of love is sung and repeated.

In 1924, the poet met the Armenian teacher Shagandukht Talyan. A friendship began between them. They met and wandered the streets. The poet told her about Russia, about his family, about his life. Shagane talked a lot about herself; she had a difficult life. She lost her family early, first her mother died, then her father. Then the beloved husband dies. Shagane was interesting to Yesenin; it was easy and calm with her. Yesenin creates a cycle of poems about Shagane.Yesenin sees in her an excellent representative of an eastern woman, and Shagana treats Yesenin’s poetic gift with great respect.

Working on poems from the series “Persian Motifs”, S. Yesenin creates in his poetic imagination the image of a beautiful Persian woman. A meeting in Batumi with a beautiful oriental woman inspired the poet even more. According to the memoirs of contemporaries, Shagane Talyan “was attractive in appearance: slender, graceful, with regular facial features, soft and clear skin. The wavy brown hair was nice. And the eyes seemed enviably beautiful: large, brown, sometimes sparkling mockingly, sometimes gently shining.” And if in the first two poems of “Persian Motives” only a nameless eastern woman is mentioned, then in the third poem the poet addresses the heroine by name: “You are my Shagane, Shagane!” Of course, this is a generalized poetic name, but the impetus for its creation could have been a meeting with Shagane Talyan. S. Yesenin read her the poem “You are my Shagane, Shagane...”, gave the girl an autograph of this poem, and on January 4 the poet presented the book “Moscow Tavern” with a dedicatory inscription: “My dear Shagane. You are pleasant and sweet to me. S. Yesenin. 4.1.25. Batum."

Shagane, you are mine, Shagane!

About wavy rye under the moon.
Shagane, you are mine, Shagane.

Because I'm from the north, or something,
That the moon is a hundred times bigger there,
No matter how beautiful Shiraz is,
It is no better than the expanses of Ryazan.
Because I'm from the north, or something.

I'm ready to tell you the field,
I took this hair from the rye,
If you want, knit it on your finger -
I don't feel any pain.
I'm ready to tell you the field.

About wavy rye under the moon
You can guess by my curls.
Darling, joke, smile,
Just don’t wake up the memory in me
About wavy rye under the moon.

Shagane, you are mine, Shagane!
There, in the north, there is a girl too,
She looks an awful lot like you
Maybe he's thinking about me...

Shagane, you are mine, Shagane. Yesenin and Shagane broke up in February 1925, two months later the poet returned to Moscow.

WITH Ofya Andreevna Tolstaya

He decisively changes his fate and marries Sofya Andreevna Tolstoy, the granddaughter of Leo Tolstoy. Yesenin was proud that he became related to Tolstoy, marrying his granddaughter Sophia on March 5, 1925. She was 5 years younger than Yesenin, and the blood of the world’s greatest writer flowed in her veins. She was in charge of the library of the Writers' Union.

Honey, I'm turning thirty soon.

And the earth becomes dearer to me every day.

That is why the heart will begin to dream,

That I burn with pink fire!

Many friends considered Yesenin’s marriage a rash step, and the poet himself was not sure that he was doing the right thing. Sophia loved Yesenin! She said that some drunk and dirty types always stayed in their house... They slept on an ottoman or beds, ate and drank and used Yesenin's money... But Sonya had no new shoes, boots, nothing new, everything old, demolished... Sofya Andreevna tried to snatch him from his unhealthy environment, surround him with care, kept records of his statements, and wrote down poems. It was difficult for Yesenin to get used to the new way of life. Returning from the psychiatric hospital, he stopped by Sophia’s to pick up his things; and straight from there he went to Leningrad, where a few days later he would be found hanged in a room at the Angleterre Hotel... Sofia Tolstaya, Yesenin’s last lover, devoted her life to the creation of two museums - her husband and her great grandfather... She passed away in 1957.

Sofya Tolstaya is another of Yesenin’s unfulfilled hopes of starting a family. Coming from an aristocratic family, according to the recollections of Yesenin’s friends, she was very arrogant and proud, she demanded adherence to etiquette and unquestioning obedience. These qualities of hers were in no way combined with Sergei’s simplicity, generosity, cheerfulness, and mischievous character. She had a bitter lot: to survive the hell of the last months of her life with Yesenin. And then, in December 1925, go to Leningrad to pick up his body.

E Senina Tatyana Fedorovna

Our story about Sergei Yesenin’s beloved women would be incomplete if we did not talk about Yesenin’s holy love for his mother and sisters. He spoke about them with delight, he helped them study in Moscow, helped them with money, gave them gifts. In his poems, the poet shares his most intimate feelings and thoughts with his family. Many poems are dedicated to sister Shura. “I have never seen such beautiful people,” the poet wrote about her. The poet’s feeling for his mother is reverent and sacred. He captured it in sincere, heartfelt lines.

Are you still alive, my old lady?

I'm alive too. Hello, hello!

Let it flow over your hut

That evening unspeakable light.

For the poet, the mother was the most beloved and dear woman in life...

I'm still as gentle

And I only dream about

So that rather from rebellious melancholy

Return to our low house...

(Excerpt from the poem *Letter to Mother*)

Once they asked Tatyana Fedorovna Yesenina why she always wears black. She replied: “Everyone calls me Nun, but that’s not why I wear black: because I buried Sergei, I don’t take off this outfit.” Sighing, she added: “Sergei was gentle, you never know what they say about him, but he was not like that at all...”. This was said after the poet’s death. Said by mother. The one to whom the poet confessed.

Sweet, kind, old, gentle,

Don't be friends with sad thoughts.

Listen - to this snowy harmonica

I'll tell you about my life.

Conclusion

“No matter how much I swore mad love to anyone, no matter how much I assured myself of the same thing, all this is, in essence, a huge and fatal mistake. There is something that I love above all women, above any woman, and that I wouldn’t trade it for any caresses or any love. This is art...”

Yesenin.

The poet's love lyrics captured the whole gamut of human feelings. Like all his work, it is autobiographical and truthful, it reveals the personality of the poet, his soul. Yesenin's love lyrics, according to N. Rylenkov, are able to quench the “thirst for human tenderness.” Each reader finds in his poems his own vision of love, because “everyone in the world sings and repeats the Song of Love.”

Sergei Yesenin, probably more than other poets, strived with his soul for goodness and love. That’s why this love, these feelings illuminate all his work so brightly, so warmly. Even more - his whole life, and perhaps this is what allowed A. Tolstoy to say: “His poetry is, as it were, scattering with both handfuls the treasures of his soul.”

Bibliography

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