Pasternak will have no one in the house. Analysis of the poem “There will be no one in the house” by Pasternak

There will be no one in the house
Except at dusk. One
Winter day through the doorway
Curtains not drawn.

Only white wet lumps
A quick glimpse of moss,
Only roofs, snow, and, except
Roofs and snow, no one.

And again he will draw frost,
And he'll turn on me again
Last year's gloom
And things are different in winter.

And they stab again to this day
Unforgivable guilt
And the window along the cross
Wood hunger will suppress hunger.

But unexpectedly along the curtain
A shiver of doubt will run through -
Measuring the silence with steps.
You, like the future, will enter.

You'll appear out the door
In something white, without quirks,
In some ways, really from those matters,
From which flakes are made.

1931

Analysis of the poem “There will be no one in the house” by Pasternak (1)

The work of Boris Pasternak is incredibly difficult to understand. His works are always thoroughly metaphorical and contain a secret meaning. Without knowing the circumstances of the poet’s personal life, it is not always possible to grasp this meaning. The poem “There will be no one in the house...” (1931) is directly related to an important event in Pasternak’s life. This year he broke off relations with his first wife and started a new family with Z. Neuhaus. This event caused a scandal and gave rise to a lot of rumors, since the woman also had a husband, who was also a friend of Pasternak.
The first part of the poem describes the poet's loneliness. He has probably already left his first wife and is awaiting the arrival of his beloved. He has time to think carefully about what happened. The loneliness of the lyrical hero is not disturbed by anyone. He dissolves in the world around him. The clarification “except” emphasizes his isolation from the human world. “Except for twilight,” “except for roofs and snow” - the presence of inanimate objects and phenomena only exacerbates the author’s loneliness.
The gloomy winter landscape sets the lyrical hero up for joyless memories. “Last year’s gloom” is probably associated with an unsuccessful family life. The author feels “unabsolved guilt.” Pasternak makes no mention of his first wife. It can be assumed that it was he who caused the breakup of the family.
The appearance of the heroine completely transforms reality. It is preceded by “doubt trembling” even on the curtain. It becomes clear that the author was waiting for his beloved with great impatience, but simply carefully hid it from the reader. He was in a timeless and spaceless state. This is emphasized by comparing the heroine with the “future”. Probably, Pasternak was not entirely sure that a woman would leave her husband for him. Therefore, he did not make any plans and did not indulge in dreams. The sudden appearance of a woman illuminated his whole life and awakened faith in a happy future.
The change in the mood of the lyrical hero is conveyed by a change in his perception of reality. If at the beginning of the work snow is associated with “white wet clods,” then in the finale the image of airy “flakes” appears. They symbolize the unearthly material from which the main character’s outfit is made.
The poem “There will be no one in the house...” reflects Pasternak’s deeply personal feelings and experiences. It is a necessary element for understanding the life and work of the poet.

Analysis of Pasternak’s poem “There will be no one in the house...” (2)

Most poets in their works strive to convey what they feel at the moment of their writing. Therefore, it is not surprising that recognized masters of lyricism often have poems with philosophical or political content, and poets with a clearly expressed civic position often write about love. Boris Pasternak is no exception in this regard, and his authorship includes poems on a wide variety of subjects.

The poet himself never considered himself a person who was able to gracefully convey feelings in words, and sincerely dreamed that someday he would be able to learn this. However, it is through the poems of Boris Pasternak that one can track the most significant events of his personal life. An example of such a work is the poem “There will be no one in the house...”, which the poet dedicated to his second wife Zinaida Neuhauz.

The romance between Pasternak and Neuhaus was shrouded in gossip and speculation. However, it was no secret to anyone that the poet actually stole his future wife from his best friend. By that time, Pasternak already had a family, and Zinaida Neuhauz herself had been legally married for almost 10 years. However, this did not stop me from breaking off relations with my “halves”. The poem “There will be no one in the house...”, created in 1931, is about the very beginning of this unusual novel. It begins with the fact that the author, admiring the winter evening “in the through opening of the uncurtained curtains,” recalls how he destroyed his first family. The author experiences an acute feeling of guilt, and he is overcome by “last year’s despondency and the affairs of another winter” when he broke up with his first wife, Evgenia Lurie. Pasternak doubts that he acted correctly and prudently. After all, family and a child are on one side of the scale, and on the other are feelings, which are not always the key to personal happiness. However, his doubts are dispelled by the one to whom he gave his heart. “Measuring the silence with steps, you, like the future, will enter,” this is how the poet describes the appearance of Zinaida Neuhaus not only in the apartment with frost-covered windows, but also in his life. Talking about the chosen one’s outfit, Pasternak notes that it is as white as the flakes of snow outside the window, thereby emphasizing the purity of this woman’s feelings and the selflessness of her actions. The image of Zinaida Neuhaus is shrouded in a romantic aura, but at the same time the poet portrays her as an ordinary earthly person who knows how to love and give happiness to those destined for her.

Boris Leonidovich Pasternak is without a doubt one of the greatest figures of Russian literature of the 20th century. Having started his creative career as a futurist poet, over time Boris Pasternak moved away from this genre, not sharing the slogans about isolation from the work of figures of the 19th century, which allowed the author to reveal his own original style. His lyrics are full of insight and imagery, and an example of this is the poem “There will be no one in the house,” written in 1931.

The poem was published in 1932 as part of the collection “Second Birth”. It is dedicated to the period of Pasternak’s life, which can be characterized by a bright and long-term love relationship with Zinaida Neuhaus, who became his wife in the year the book was published. At the time of the emergence of feelings, the lovers were already in their own marriages, and Zinaida’s husband, pianist Heinrich Neuhaus, was a close friend of Boris Leonidovich. The break with his previous families caused the poet’s difficult experiences, which is reflected in this poem.

The relationship with Zinaida Neuhaus was the longest in Pasternak's life. Even after the spouses moved away from each other (after the poet began an affair with Olga Ivinskaya), Pasternak did not dare to break off relations with his wife, and she remained with him until his death in 1960.

Direction, genre, size

At the time of writing the poem, Pasternak had already positioned himself as a poet who was “outside the groups,” which can be felt in the theme and construction of the work, which is extremely far from the ideas of futurism and modernism. The poem is a striking example of love lyrics inspired by the works of the classics of the Silver Age. However, it is devoid of sentimentalism and frivolous romance, which are characteristic of the literature of that time.

“There will be no one in the house” is written in trochee hexameter; its structure is characterized by the author’s use of cross rhyme. Using this size allows you to achieve the necessary rhythm, simulating the heartbeat of an excited hero.

Images and symbols

The image of the lyrical hero of the poem is a man in confusion, deeply immersed in his thoughts and experiences. The main state that the character experiences is loneliness. It feeds on the man’s sense of guilt (Pasternak’s separation from his first wife); uncertainty about the future gradually develops into spiritual numbness. The hero is surrounded only by silence and darkness; in the house, besides him, there is nothing and no one “except twilight.”

The first half of the poem is devoid of any action, it is intended to create an image of a lonely, lost man, deeply immersed in himself. However, in its second part, after the moment when the character thinks about the reasons for his experiences, the author introduces a symbol of the hero’s hope - his beloved. Without describing it in detail, Pasternak creates only an image that should create resonance with everything that fed the uncomfortable atmosphere, plunging the hero into his dark thoughts. The appearance of a beloved symbolizes a man’s faith in a bright future. The ending of the poem is open, so the hero’s hopes remain his hopes, which adds sensuality to the work.

Themes and moods

The main theme of the work is the theme of love. Pasternak deeply experienced the situation that arose after the lovers’ breakup with their former families, and this situation is one of the leading leitmotifs of the poem. The hero reproaches himself for the events that are happening, is in uncertainty about his future - having abandoned the past, he is in limbo, doubting the correctness of his action.

The theme of loneliness is also obvious: he is alone in his struggle with himself, and no one can help him make a choice.

The mood of the poem moves from severe loneliness, almost developing into despair, to the emergence of a feeling of hope that saves the hero from his internal imprisonment.

Idea

The main idea of the poem is the spiritual revival of the lyrical hero. Pasternak says that no matter how difficult the situation he finds himself in, there is always hope for a bright future. Describing his deep loss and loneliness, he shows that self-absorption can tear a person away from life, lock him up, and hope is what allows him to get out of his inner cage.

The meaning of the work is the triumph of love over doubts, loneliness and mental tossing of a person. SHE comes, and everything around, even winter, takes on gentle, light and pleasant outlines, magical colors. Everything that happened before this arrival was a dream, the last haze of which melted into the night.

Means of artistic expression

A large number of epithets that describe the situation surrounding the hero help convey the mood of the poem - he is alone in the house, everything around creates an uncomfortable, restless atmosphere in which the person experiences a whole range of emotions - from despair, feeding on his loneliness, to the feeling of hope that arises in the character when he thinks about the appearance of his beloved.

Pasternak uses details characteristic of the winter season, such as snow, cold, frost, with their help achieving the effect of emptiness, internal numbness, emphasizing the isolation and lostness of the protagonist.

The large amount of white in this description gives it the meaning of a “cool” shade. The author also actively uses anaphora, such as “and again he will wrap the frost, and again he will wrap me in..”, “and again they will prick...” to create a feeling of hopelessness and subsequent contrast with the second part of the poem.

Also, to emphasize the imagery of the poem, Pasternak uses metaphors such as “invasion trembling”, “flash of the flywheel”, which allows the reader to plunge deeper into the atmosphere of the work.

However, at the moment of the appearance of the hero’s beloved, the author gives the white color a different character - now it symbolizes light, simplicity, once again emphasizing the association of the heroine with the hope of the protagonist, his faith in the future.

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The poem “There will be no one in the house” was written in 1931. It was included in the collection “Second Birth” published in 1932. This was the time Pasternak met his future second wife, Zinaida Neuhaus, at that time the wife of Heinrich Neuhaus, the famous pianist and friend of Pasternak. To unite in marriage, which took place in 1932, Pasternak and Zinaida Neuhaus had to go through a difficult divorce from their former husband and wife. Pasternak left his son, and the children of the pianist Neuhaus lived in the family of Zinaida and Boris. The younger one, Stanislav, also became a famous pianist.

Zinaida Neuhaus-Pasternak was the writer’s wife until his death in 1960, but in fact, after 1945, the couple began to move away from each other. Pasternak’s last love was Olga Ivinskaya, for whose sake the poet never decided to leave his second wife, as he had once left his first for her sake.

Literary direction and genre

The poem is an excellent example of love poetry. Pasternak is a prominent representative of modernism of the 20th century, but after the revolution of the 17th century. he did not belong to any literary association, remaining an independent, original poet.

Theme, main idea and composition

The theme of the poem is love, which changes lives and gives the future. The main idea is connected with the amazing property of true love - to revive a person to a new life, give him the strength to survive the past, “despondency” and look into the future.

The poem consists of 6 stanzas. The first 4 stanzas describe the state of the lyrical hero, who succumbs to a gloomy winter mood and plunges into memories. In the last two stanzas, the mood of the lyrical hero changes with the arrival of his beloved. In some editions, the last two stanzas are even printed as an eight-line poem.

The poem does not have a lyrical ending; the lyrical hero does not make any emotional point. The arrival of his beloved brightens up the hero’s loneliness, but the further development of events is unclear; the lyrical hero only has a glimmer of hope that the heroine is his future.

Paths and images

The main state and mood of the lyrical hero is loneliness. It is described by the personification of twilight, which fills the house and is not something A someone- a certain personality that evokes melancholy. Another personality - an animated winter day - stands outside the windows, visible through the undraped curtains. The undrafted curtains themselves are a sign of disorder in the lyrical hero’s house, a lack of comfort in his life.

The second stanza is contrasting in color. Black roofs and white snow, fast movement (neologism flash) white snowflakes that wave at the window encourage the hero to succumb to the state of nature and “spinning around.” This internal movement, which is given to the lyrical hero by feelings (last year’s despondency), continues the spinning of the snow and the dynamic outlines of frost on the windows.

The first two stanzas are completely static, there are no verbs in them. The movements in the poem are associated with snowfall and the invasion of the guest.

The affairs of winter are different - obviously, the past love of the lyrical hero. He does not name the people who hurt him, with whom he was unable to come to an agreement earlier. The fourth stanza is a complex sentence, the first part of which is a single-part indefinite-personal, that is, the personality of those who stings the guilt that didn't forgive, is not important and not interesting to the lyrical hero. Verb prick refers to the lyrical hero, who in this stanza, using psychological parallelism, is compared with a window experiencing the pressure of “wood hunger” (metaphor). Verb will squeeze refers to the wooden crossbars of the window, which put pressure on the glass, but cannot break it.

The fourth stanza is the only one thrown out in the romance performed in the film “The Irony of Fate.” Obviously, due to the difficulty of listening and because of the hint of some guilt for the past, which Lukashin did not have.

The appearance of the beloved precedes tremors of invasion(metaphor). A curtain is the opposite of a curtain; it is thick and often hangs not on the window, but on the door. Obviously this curtain is closed, but it fluctuates with footsteps. The steps appearing in the next line measure and destroy the silence in which the lyrical hero has been all this time. The heroine is not only compared to the future, but is also the future of the lyrical hero.

For the lyrical hero, the beloved’s clothes merge with the snow outside the window, which appears to the hero as material for the woman’s white clothes. Such an unfinished ending, in which the silence in the room is broken by a guest bursting straight from the world of “roofs and snow,” does not reveal the secrets of the future, but changes the hero’s worldview

Meter and rhyme

The poem is written in trochee with many pyrrhichs, which makes the rhythm look like the uneven breathing of a lover. The rhyme pattern in the poem is cross, female rhyme alternates with male rhyme.

"Doctor Zhivago", analysis of Pasternak's novel
“Winter Night” (Shallow, shallow all over the earth...), analysis of Pasternak’s poem

There will be no one in the house
Except at dusk. One
Winter day through the doorway
Undrawn curtains.

Only white wet lumps
A quick flash of the flywheel,
Only roofs, snow, and, except
Roofs and snow, no one.

And again he will draw frost,
And he'll turn on me again
Last year's gloom
And things are different in winter.

And they stab again to this day
Unforgivable guilt
And the window along the cross
Wood hunger will suppress hunger.

But unexpectedly along the curtain
An invading shiver will run through, -
Measuring the silence with steps.
You, like the future, will enter.

You'll appear out the door
In something white, without quirks,
In some ways, really from those matters,
From which flakes are made.

Analysis of the poem “There will be no one in the house” by Pasternak

The work of B. Pasternak is incredibly difficult to understand. His works are always thoroughly metaphorical and contain a secret meaning. Without knowing the circumstances of the poet’s personal life, it is not always possible to grasp this meaning. The poem “There will be no one in the house...” (1931) is directly related to an important event in Pasternak’s life. This year he broke off relations with his first wife and started a new family with Z. Neuhaus. This event caused a scandal and gave rise to a lot of rumors, since the woman also had a husband, who was also a friend of Pasternak.

The first part of the poem describes the poet's loneliness. He has probably already left his first wife and is awaiting the arrival of his beloved. He has time to think carefully about what happened. The loneliness of the lyrical hero is not disturbed by anyone. He dissolves in the world around him. The clarification “except” emphasizes his isolation from the human world. “Except for twilight”, “except for roofs and snow” - the presence of inanimate objects and phenomena only exacerbates the author’s loneliness.

The gloomy winter landscape sets the lyrical hero up for joyless memories. “Last year’s gloom” is probably associated with an unsuccessful family life. The author feels “unabsolved guilt.” Pasternak makes no mention of his first wife. It can be assumed that it was he who caused the breakup of the family.

The appearance of the heroine completely transforms reality. It becomes clear that the author was waiting for his beloved with great impatience, but simply carefully hid it from the reader. He was in a timeless and spaceless state. This is emphasized by comparing the heroine with the “future”. Probably, Pasternak was not entirely sure that a woman would leave her husband for him. Therefore, he did not make any plans and did not indulge in dreams. The sudden appearance of a woman illuminated his whole life and awakened faith in a happy future.

The change in the mood of the lyrical hero is conveyed by a change in his perception of reality. If at the beginning of the work snow is associated with “white wet clods,” then in the finale the image of airy “flakes” appears. They symbolize the unearthly material from which the main character’s outfit is made.

The poem “There will be no one in the house...” reflects Pasternak’s deeply personal feelings and experiences. It is a necessary element for understanding the life and work of the poet.

“There will be no one in the house...” Boris Pasternak

There will be no one in the house
Except at dusk. One
Winter day in the through doorway
Undrawn curtains.

Only white wet lumps
A quick glimpse of moss,
Only roofs, snow, and, except
Roofs and snow, no one.

And again he will draw frost,
And he'll turn on me again
Last year's gloom
And things are different in winter.

And they stab again to this day
Unrelieved guilt
And the window along the cross
Wood hunger will suppress hunger.

But unexpectedly along the curtain
A shiver of doubt will run through -
Measuring the silence with steps.
You, like the future, will enter.

You'll appear out the door
In something white, without quirks,
In some ways, really from those matters,
From which flakes are made.

Analysis of Pasternak’s poem “There will be no one in the house...”

The romance between Pasternak and Neuhaus was shrouded in gossip and speculation. However, it was no secret to anyone that the poet actually stole his future wife from his best friend. By that time, Pasternak already had a family, and Zinaida Neuhauz herself had been legally married for almost 10 years. However, this did not stop me from breaking off relations with my “halves”. The poem “There will be no one in the house...”, created in 1931, is about the very beginning of this unusual novel. It begins with the fact that the author, admiring the winter evening “in the through opening of the uncurtained curtains,” recalls how he destroyed his first family. The author experiences an acute feeling of guilt, and he is affected by “last year’s despondency and the affairs of a different winter”, when he broke up with his first wife Evgenia Lurie. Pasternak doubts that he acted correctly and prudently. After all, family and a child are on one side of the scale, and on the other are feelings, which are not always the key to personal happiness. However, his doubts are dispelled by the one to whom he gave his heart. “Measuring the silence with steps, you, like the future, will enter,” this is how the poet describes the appearance of Zinaida Neuhaus not only in the apartment with frost-covered windows, but also in his life. Talking about the chosen one’s outfit, Pasternak notes that it is as white as the flakes of snow outside the window, thereby emphasizing the purity of this woman’s feelings and the selflessness of her actions. The image of Zinaida Neuhaus is shrouded in a romantic aura, but at the same time the poet portrays her as an ordinary earthly person who knows how to love and give happiness to those destined for her.